A work in constant progress (and occasional regress).
Release Date:
October 15, 2019
Original Title:
Ill: Final Contagium
Alternate Titles:
Ill
Genres:
Horror | Science Fiction
Production Companies:
Border Motion Cinema
The Peacock's Tale
Production Countries:
Chile | Germany | Italy
Ratings / Certifications:
N/A
Runtime: 105
An anthology film that features four segments. Contagium: The beginning of a global pandemic originated by the macabre experiment of a military scientist. Gully: The calvary of a young man who, as a result of his ambition, is the victim of a painful metamorphosis. The Body: The martyrdom suffered by a woman obsessed with beauty and who resorts to a home cosmetic surgery in order to save money. The Cabin: A post-apocalyptic era in which money becomes the only means that can allow the infected to stay alive.
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Art Direction:
Mercedes García-Navas
Assistant Art Director:
Camila Guerra
Assistant Camera:
Gonzálo Madrid
Associate Producer:
Ximena del Solar
Cinematography:
Domiziano Cristopharo
Daniele Trani
Director:
Lucio A. Rojas
Lorenzo Zanoni
Domiziano Cristopharo
Kai E. Bogatzki
Director of Photography:
Diego Fierro Lablée
Editor:
Kai E. Bogatzki
Diego Fierro Lablée
Lucio A. Rojas
Electrician:
Jimmy Rodriguez
Armando Valenzuela
Executive Producer:
Lucio A. Rojas
Lorenzo Zanoni
Domiziano Cristopharo
Kai E. Bogatzki
Music:
Ignacio Redard
Producer:
Sandra Arriagada
Production Design:
Alex Hurtado
Sound:
Mauricio Beltrán
Dario Candia
Special Effects:
Abigail Ruiz
Special Effects Makeup Artist:
Domiziano Cristopharo
VFX Artist:
Luca Ticconi
Visual Effects:
Juan Olivares
Writer:
Lucio A. Rojas
Ximena del Solar
Lorenzo Zanoni
Domiziano Cristopharo
Kai E. Bogatzki
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.