A work in constant progress (and occasional regress).
Born:
April 4, 1951
Gary Hill (b. 1951, Santa Monica, CA) has worked with a broad range of media – including sculpture, sound, video, installation and performance – since the early 1970’s, producing a large body of single-channel videos, mixed-media installations, and performance work. His longtime work with intermedia continues to explore an array of issues ranging from the physicality of language, synesthesia and perceptual conundrums to ontological space and viewer interactivity. (Vimeo)
Director:
1974 Air Raid
1974 Rock City Road
1975 AXIS
1975 Earth Pulse
1976 Mesh
1976 Mirror Road
1977 Bathing
1977 Bits
1977 Bits
1977 Electronic Linguistic
1978 Elements
1978 Full Circle
1978 Mouthpiece
1978 Primary
1978 Sums & Differences
1978 Windows
1979 Equal Time
1979 Objects with Destinations
1979 Picture Story
1979 Resolution
1979 Soundings
1980 Around & About
1980 Black/White/Text
1980 Commentary
1980 Processual Video
1980 Project Tesla
1981 Primarily Speaking
1981 Videograms
1983 Happenstance (part one of many parts)
1984 Why Do Things Get in a Muddle? (Come On Petunia)
1985 Tale Enclosure
1986 Mediations (towards a remake of Soundings)
1986 URA ARU
1988 Disturbance (among the jars)
1988 Incidence of Catastrophe
1989 Site/Recite (a prologue)
1990 Solstice d’Hiver
2000 Performative images. My skin its skin (per)forming another skin where I voice from
2001 Goats & Sheep
2003 Blind Spot
2008 Figuring Grounds
2008 Observaciones Sobre los Colores
2011 The Psychedelic Gedankenexperiment
???? Pacifier
Editor:
1974 Air Raid
1974 Rock City Road
1975 AXIS
1975 Earth Pulse
1976 Mesh
1976 Mirror Road
1977 Bathing
1977 Bits
1977 Bits
1977 Electronic Linguistic
1978 Elements
1978 Full Circle
1978 Mouthpiece
1978 Primary
1978 Sums & Differences
1978 Windows
1979 Equal Time
1979 Objects with Destinations
1979 Picture Story
1979 Resolution
1979 Soundings
1980 Around & About
1980 Black/White/Text
1980 Commentary
1980 Processual Video
1980 Project Tesla
1981 Primarily Speaking
1981 Videograms
1983 Happenstance (part one of many parts)
1984 Why Do Things Get in a Muddle? (Come On Petunia)
1985 Tale Enclosure
1986 Mediations (towards a remake of Soundings)
1986 URA ARU
1988 Disturbance (among the jars)
1988 Incidence of Catastrophe
1989 Site/Recite (a prologue)
1990 Solstice d’Hiver
2000 Performative images. My skin its skin (per)forming another skin where I voice from
2001 Goats & Sheep
2003 Blind Spot
2008 Figuring Grounds
2008 Observaciones Sobre los Colores
2011 The Psychedelic Gedankenexperiment
???? Pacifier
Writer:
1974 Air Raid
1974 Rock City Road
1975 AXIS
1975 Earth Pulse
1976 Mesh
1976 Mirror Road
1977 Bathing
1977 Bits
1977 Bits
1977 Electronic Linguistic
1978 Elements
1978 Full Circle
1978 Mouthpiece
1978 Primary
1978 Sums & Differences
1978 Windows
1979 Equal Time
1979 Objects with Destinations
1979 Picture Story
1979 Resolution
1979 Soundings
1980 Around & About
1980 Black/White/Text
1980 Commentary
1980 Processual Video
1980 Project Tesla
1981 Primarily Speaking
1981 Videograms
1983 Happenstance (part one of many parts)
1984 Why Do Things Get in a Muddle? (Come On Petunia)
1985 Tale Enclosure
1986 Mediations (towards a remake of Soundings)
1986 URA ARU
1988 Disturbance (among the jars)
1988 Incidence of Catastrophe
1989 Site/Recite (a prologue)
1990 Solstice d’Hiver
2000 Performative images. My skin its skin (per)forming another skin where I voice from
2001 Goats & Sheep
2003 Blind Spot
2008 Figuring Grounds
2008 Observaciones Sobre los Colores
2011 The Psychedelic Gedankenexperiment
???? Pacifier
Director:
1990 Live
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.