A work in constant progress (and occasional regress).
Release Date:
January 1, 1981
Original Title:
Primarily Speaking
Ratings / Certifications:
N/A
Runtime: 20
This work is the single-channel version of a multi-channel installation of the same name. The picture plane is divided into a left and a right half. A changing background is formed by colorful, highly graphic patterns reminiscent of TV test signals and various monochrome surfaces. Two smaller rectangles appear on the surface, in which video sequences are running. The two image strands show landscapes, interiors, objects, graphical images and text that are sometimes used in contrast, and on other occasions the same image can be seen mirrored in each rectangle. They are accompanied by Hill’s recitation of a long text, whose syllabic sequence determines the rhythm of the images (the screen changes with each uttered syllable). His voice comes alternately out of the left and right stereo channels functioning like a dialogue. This is broken into sections by a singing, but electronically altered, voice.
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.