A work in constant progress (and occasional regress).
Hair Department Head:
1969 Satyricon
1988 Mignon Has Left
Hairdresser:
1969 Satyricon
1969 The Damned
1988 Mignon Has Left
Hairstylist:
1967 Grand Slam
1968 A Fine Pair
1969 Satyricon
1969 The Damned
1969 The Red Tent
1970 In the Folds of the Flesh
1971 Death in Venice
1972 The Audience
1973 We Want the Colonels
1974 Policewoman
1975 Midnight Pleasures
1975 The Baby Sitter
1976 A Common Sense of Modesty
1976 Come ti rapisco il pupo
1976 The Inheritance
1976 The Landlord
1976 The Last Round
1977 Christmas at the Cupiello Household
1977 The Fiend
1979 Agenzia Riccardo Finzi... praticamente detective
1979 Traffic Jam
1980 City of the Living Dead
1981 Tales of Ordinary Madness
1981 The Nosy One
1982 Attenti a quei P2
1982 La sai l'ultima sui matti?
1982 Manhattan Baby
1982 No Thanks, Coffee Makes Me Nervous
1982 The Eyes, the Mouth
1983 Sorry for the Delay
1983 The Pool Hustlers
1988 Mignon Has Left
1993 The Great Pumpkin
Makeup Artist:
1964 Saul and David
1967 Grand Slam
1968 A Fine Pair
1969 Satyricon
1969 The Damned
1969 The Red Tent
1970 In the Folds of the Flesh
1971 Death in Venice
1972 The Audience
1973 We Want the Colonels
1974 Policewoman
1975 Midnight Pleasures
1975 The Baby Sitter
1976 A Common Sense of Modesty
1976 Come ti rapisco il pupo
1976 The Inheritance
1976 The Landlord
1976 The Last Round
1977 Christmas at the Cupiello Household
1977 The Fiend
1979 Agenzia Riccardo Finzi... praticamente detective
1979 Traffic Jam
1980 City of the Living Dead
1981 Tales of Ordinary Madness
1981 The Nosy One
1982 Attenti a quei P2
1982 La sai l'ultima sui matti?
1982 Manhattan Baby
1982 No Thanks, Coffee Makes Me Nervous
1982 The Eyes, the Mouth
1983 Sorry for the Delay
1983 The Pool Hustlers
1988 Mignon Has Left
1993 The Great Pumpkin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.