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Grand Slam (1967) [N/A]

Release Date:
September 28, 1967

Original Title:
Ad ogni costo

Alternate Titles:
Bet kokia kaina
Le Carnaval des truands
Storslam 70
Top Job – Diamantenraub in Rio

Genres:
Crime

Production Companies:
Constantin Film
Coral Producciones Cinematográficas
Jolly Film
Paramount Pictures

Production Countries:
Germany | Italy | Spain

Ratings / Certifications:
AT: 12  NL: 12 

Runtime: 121

These men are in... for the crime of their lives.

Overview from TheMovieDB

Professor James Anders is a seemingly mild-mannered teacher, an American working in Rio De Janeiro. Anders, bored with years of teaching, decides to put together a team to pull off a diamond heist during the Rio Carnival. Four international experts are brought together to carry out the robbery: a safe cracking expert, a master thief, a mechanical genius, and a playboy.

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Performers

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Production

Assistant Camera:
Giuseppe Gatti
Alberto Marrama
Santiago Rodríguez

Assistant Editor:
Elvira Tonini

Assistant Production Design:
María José Bassi
Roberto Velocchio

Boom Operator:
Alvaro Orsini

Camera Operator:
Carlo Fiore
Ricardo González

Conductor:
Bruno Nicolai

Costume Design:
Enrique Garriga
Giorgio Desideri

Director:
Giuliano Montaldo

Director of Photography:
Antonio Macasoli

Editor:
Nino Baragli

Executive Producer:
Zeljko Kunkera

First Assistant Director:
Mauro Sacripanti
Carlos Couto
Federico Canudas

Hairstylist:
Luciano Vito

Line Producer:
Massimo Dallamano

Makeup Artist:
Adrián Jaramillo
Mario Van Riel

Original Music Composer:
Ennio Morricone

Producer:
Arrigo Colombo
Giorgio Papi

Production Design:
Alberto Boccianti

Production Manager:
Franco Serino
Valentín Sallent
Roberto Machado

Production Secretary:
Franco Cuccu
José Malla

Screenplay:
Mino Roli
Marcello Coscia
José Antonio de la Loma
Marcello Fondato
Augusto Caminito

Set Decoration:
Giorgio Pes
Juan Alberto Soler

Sound:
Umberto Picistrelli

Special Effects:
Armando Grilli

Story:
Paolo Bianchini
Augusto Caminito
Mino Roli

Unit Manager:
Raul Araujo
Genis Rodriquez
Lucio Trentini

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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