A work in constant progress (and occasional regress).
Birthplace:
Toronto, Ontario, Canada
Canadian Paul Shubat works as sound re-recording mixer and recording engineer for film and television productions at Technicolor in Toronto, Ontario, Canada. He has contributed to many Juno and Grammy Award-winning album projects and distinguished himself as the re-recording mixer for nearly all 150 episodes of Heartland, Canada's longest running one-hour television series.
Recording Supervision:
1998 Earthquake in New York
Scoring Mixer:
1989 Bye Bye Blues
1998 Earthquake in New York
Sound Re-Recording Mixer:
1989 Bye Bye Blues
1995 The Big Game
1996 Hostile Advances: The Kerry Ellison Story
1996 Romantic Undertaking
1997 Joe Torre: Curveballs Along the Way
1998 Earthquake in New York
1999 The Passion of Ayn Rand
2005 Confessions of a Sociopathic Social Climber
2008 Daniel's Daughter
2010 My Babysitter's a Vampire
2014 Big Driver
2015 Hellions
2015 Pay the Ghost
2016 A Family Man
2020 Buffaloed
2022 Dual
Sound Mixer:
2002 The Undefended Border
Sound Re-Recording Mixer:
2002 The Undefended Border
2016 Wynonna Earp
2022 Guillermo del Toro's Cabinet of Curiosities
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.