A work in constant progress (and occasional regress).
Release Date:
January 27, 1999
Original Title:
The Passion of Ayn Rand
Alternate Titles:
Egy filozófusnő szerelmei
La pasión de Ayn Rand
Pasiunea lui Ayn Rand
Pasja Ayn Rand
Страстта на Айн Ранд
Тайная страсть Айн Рэнд
Genres:
Drama | History | Romance | TV Movie
Production Companies:
Showtime Networks
The Producers Entertainment Group Ltd.
Production Countries:
Canada | United States of America
Ratings / Certifications:
N/A
Runtime: 104
Author Ayn Rand becomes involved with a much younger and married man, to the dismay of those close to her.
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ADR Mixer:
Matthew C. Beville
ADR Recordist:
Ed Poty
Art Direction:
Edward Bonutto
Assistant Art Director:
David Sauder
Assistant Costume Designer:
Gersha Phillips
Assistant Director:
Michael Zenon
Assistant Editor:
Robbie Broughton
Assistant Foley Artist:
Jim Eustace
Assistant Hairstylist:
Jocelyn MacDonald
Assistant Location Manager:
Drazen Baric
Assistant Makeup Artist:
Patricia Keighran
Assistant Property Master:
Garry Honcharuk
Assistant Set Decoration:
Ken Sinclair
Best Boy Electric:
Sean Skarupa
Best Boy Grip:
Neil Fraser
Boom Operator:
Gavin Coford
Camera Operator:
Raymond Brounstein
Camera Trainee:
Brad Crosbie
Carpenter:
Scott Thom
Casting:
Diane Kerbel
Beth Klein
Casting Associate:
Robin McConnell
David Aulicino
Cinematography:
Ron Orieux
Co-Executive Producer:
Steven Hewitt
Doug Chapin
Barry Krost
Color Timer:
Robert Borics
Construction Coordinator:
Dave Watt
Costume Design:
Resa McConaghy
Dialect Coach:
Diane Pitblado
Jessica Drake
Dialogue Editor:
Marvyn Dennis
Rob Hegedus
Joe Mancuso
Director:
Christopher Menaul
Dolly Grip:
Johnny Wersta
Dresser:
Greg Chown
Editor:
David Martin
Electrician:
Terry Kelly
Pierre Berube
Executive In Charge Of Production:
Steve Wakefield
Executive Producer:
Marilyn Lewis
Irwin Meyer
Extras Casting:
Jane Rogers
First Assistant Camera:
Glenn Pineau
First Assistant Editor:
Giles Gardner
Foley Artist:
John Sievert
Foley Supervisor:
Steve Copley
Gaffer:
Ian Bibby
Generator Operator:
John Sztejnmiler
Grip:
Burke Goldstein
James McRae
Hair Designer:
Regan Noble
Key Grip:
Mark Silver
Key Hair Stylist:
Regan Noble
Key Makeup Artist:
Suzanne Benoit
Key Scenic Artist:
Stephen Stanley
Line Producer:
Martin Walters
Location Manager:
Derek Brady
Location Production Assistant:
Malcolm McCulloch
Location Scout:
Christopher Welch
Music Coordinator:
Susan Pilcher
Music Supervisor:
Spencer Proffer
Novel:
Barbara Branden
Original Music Composer:
Gael MacGregor
Jeff Beal
Bernie Kirsch
Post Production Coordinator:
David Bailey
Chad Tomasoski
Cynthia Nicolella
Post Production Supervisor:
Tim King
Producer:
Linda Curran Wexelblatt
Peter Crane
Production Design:
Lindsey Hermer-Bell
Production Manager:
Carmen Arndt
Property Master:
Friday Myers
Scenic Artist:
Karin Bechtel-Staley
Screenplay:
Mary Gallagher
Howard Korder
Script Supervisor:
Joanne T. Harwood
Second Assistant Director:
Rocco Gismondi
Set Decoration:
Ken Sinclair
Brendan Smith
Set Dresser:
Bill Thrasher
Jesse O'Connor
Sound Effects Editor:
Dan Sexton
Sound Mixer:
Brian Avery
Sound Post Supervisor:
Scott Reed
Sound Re-Recording Mixer:
Paul Shubat
Cory Mandel
Steadicam Operator:
Keith Murphy
Still Photographer:
Michael Gibson
Telecine Colorist:
Chris Dover
Third Assistant Director:
Tim Singh
Vocals:
Cathy Segal-Garcia
Wardrobe Assistant:
Barbara Somerville
Wardrobe Master:
Koreann Ciandre
Wardrobe Supervisor:
Erika Larner
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.