Emma Chaibedra

After being raised in Guadeloupe for the first three years of her life, she starts early on to develop a love for dance. Upon her return to mainland France, she joins a dance troupe from 6 to the age of 12. Thereafter, she decides to continue to flourish in her love of the stage but through theater this time which she will exercise throughout her school years at the Lycée Jules Verne in Nantes. After high school, she makes a brief detour by the faculty of Psychology where she graduates with a Bachelor's degree but her real passion for the Arts catches up with her and she leaves for Paris where she begins her training as an actress at the school L'Entrée des Artistes directed by Olivier Belmondo. She graduates in 2010. Next, she makes her first steps on stage as a comedian where she notably portrays Cassandre, in the Euripides play adapted by Jean Paul Sartre, Les Troyennes. She will after that be in fifteen plays, going from Classic to the Absurd and from Contemporary to Tragedies. The young aspiring actress also appears on television with small roles in Bref, Braquo (CANAL +), Palmashow (TMC) and Les tactiques d'Emma (GULLI). She then performs in award-winning short films on set around the world. But also in feature films such as the 2013 Laskar Pelangi 2 in Indonesia (female supporting role) or in the 2019 Omaya in India (female supporting role). Meanwhile, as her life as an actress takes her to Finland, Hungary, Germany, Belgium, Switzerland or Israel. She gradually gives a go at directing and grows confident in starting to "tell her own stories". Never neglecting her passion for acting, she continues to train alongside coaches like Tracy and Mark Pellegrino at the Meisner Studio in Paris and L.A. and appears on other projects. She then goes behind the camera. Her first tryouts are videos for artists such as Ezechiel Pailhes, Lautrec, Breesle Adams and Tom Waits. Her work didn't go unnoticed and was awarded at festivals. Among others, the 2019 Tampere Film Festival in Finland, the 2019 ScreenPro Film Fest in England where she was officially selected, and the 2018 Cluj-Napoca Film Fest in Romania where she won the 1st prize. This encourages Emma to make the jump to fiction with White Mirror, which she wrote, produced and directed for the 2018 Mobile Film Festival where it came Finalist out of the 1150 films in competition. Out of love for the genre cinema that rocked her early years and accompanied her throughout her journey as a cinema enthusiast, she quite naturally takes up the challenge of directing a psychological thriller, but with a horror trend to it. The production of this film ended in July 2019 and it is just starting to compete in Festivals.

Additional information:

The Search Form


Director:
2019  Où sont les Cerfs ?

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.