A work in constant progress (and occasional regress).
Release Date:
December 9, 2017
Original Title:
Trauma Industries
Genres:
Science Fiction
Production Companies:
Local Films
Ratings / Certifications:
FR: 16
Runtime: 13
It’s a big day for Joseph, his family is taking him on a trip to the Smile-Rite® toy factory, it’s his tenth birthday. And everybody knows that when you turn ten, that’s when you become a man…
Assistant Camera:
Vincent Flornoy
Dimitri Sorel
Assistant Location Manager:
Zoé Jounée
Assistant Makeup Artist:
Margarita San Luis
Assistant Script:
Carline Chernier
Anaïs Corno
Camera Operator:
Cyril Bron
Cinematography:
Ísarr Eiríksson
Colorist:
Alice Syrakvash
Costume Supervisor:
Léna Periot
Costumer:
Lenaig Periot-Boulben
Director:
Jethro Massey
Editor:
Julien Chardon
Electrician:
Nicolas Dufay
Thibault Maillard
Thaïs Bazin
Perrine Lauras
First Assistant Camera:
Just-Aurèle Meissonnier
First Assistant Director:
Anne Fassin
Foley Artist:
Alexis Eskandari
Gaffer:
Alice Bencteux
Grip:
Alexis Lavergne
Vincent Campanella
Nicolas Lebigue
Jonathan Ly
Key Grip:
Nick Kent
Key Hair Stylist:
Amélie Salomon
Key Makeup Artist:
Maya Benamar Letourny
Location Manager:
Christophe Gomes
Makeup Artist:
Lily Vanita
Music:
Julien Decoret
Producer:
Jethro Massey
Kévin Rousseau
Production Design:
Marc Pacon
Props:
Eva Connaughton
Script Supervisor:
Aurélie Vallée
Second Assistant Camera:
Thomas Bazin
Second Assistant Director:
Siham Bel
Second Unit Director:
Ben Slotover
Set Costumer:
Chloé Pernet
Morgane Tack
Sound Mixer:
Laure Arto
Special Effects:
Damien Delannoy
Technical Advisor:
Justin Pentecost
Third Assistant Camera:
Emmanuelle Vivier
Third Assistant Director:
Noémie Eisenberg
Unit Production Manager:
Darrell Lee Hall
Wardrobe Supervisor:
Sarah Letiche
Writer:
Jethro Massey
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.