A work in constant progress (and occasional regress).
Jason Tamez often works with Marvel Studios, as he was the line producer on WandaVision, Loki, She-Hulk: Attorney at Law, and the Echo episode Chafa. Tamez was also the production supervisor of Iron Man 3, Marvel One-Shot: All Hail the King, Captain America: The Winter Soldier, Ant-Man, Captain America: Civil War, Doctor Strange, Avengers: Infinity War, Avengers: Endgame, Spider-Man: Far From Home, and WandaVision. He was interviewed for the Assembled episodes The Making of She-Hulk: Attorney at Law and The Making of Echo. Tamez was also the executive producer on Thunderbolts. He was the production supervisor of The Amazing Spider-Man, Moneyball, and You Don't Mess with the Zohan and the production coordinator for The Social Network, I Now Pronounce You Chuck & Larry, and Click.
Assistant Production Coordinator:
2003 2 Fast 2 Furious
2003 The Haunted Mansion
Executive Producer:
2003 2 Fast 2 Furious
2003 The Haunted Mansion
2025 Thunderbolts*
Production Coordinator:
2003 2 Fast 2 Furious
2003 The Haunted Mansion
2006 Click
2007 I Now Pronounce You Chuck & Larry
2025 Thunderbolts*
Production Office Coordinator:
2003 2 Fast 2 Furious
2003 The Haunted Mansion
2005 The Longest Yard
2006 Click
2007 I Now Pronounce You Chuck & Larry
2025 Thunderbolts*
Production Supervisor:
2003 2 Fast 2 Furious
2003 The Haunted Mansion
2005 The Longest Yard
2006 Click
2007 I Now Pronounce You Chuck & Larry
2008 You Don't Mess with the Zohan
2011 Moneyball
2014 Captain America: The Winter Soldier
2015 Ant-Man
2018 Avengers: Infinity War
2019 Avengers: Endgame
2025 Thunderbolts*
Associate Producer:
2021 WandaVision
Line Producer:
2021 WandaVision
2022 She-Hulk: Attorney at Law
2024 Echo
Production Supervisor:
2021 WandaVision
2022 She-Hulk: Attorney at Law
2024 Echo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.