A work in constant progress (and occasional regress).
Camera Operator:
2010 Into Paradiso
2010 Niente orchidee
2012 Cargo
2013 Human Capital
2015 Chlorine
2015 Suburra
2015 We Accept Miracles
2016 At War for Love
2016 Like Crazy
2018 Little Tito and the Aliens
2019 The First King
2019 The Immortal
Director of Photography:
2010 Into Paradiso
2010 Niente orchidee
2012 Cargo
2013 Human Capital
2015 Chlorine
2015 Suburra
2015 Un posto sicuro
2015 We Accept Miracles
2016 At War for Love
2016 Like Crazy
2018 I'm Back
2018 Little Tito and the Aliens
2019 Nevia
2019 The First King
2019 The Immortal
2023 Last Night of Amore
2025 Feeling Better
???? Tre ciotole
Second Unit Director of Photography:
2010 Into Paradiso
2010 Niente orchidee
2012 Cargo
2013 Human Capital
2015 Chlorine
2015 Suburra
2015 Un posto sicuro
2015 We Accept Miracles
2016 At War for Love
2016 Like Crazy
2018 I'm Back
2018 Little Tito and the Aliens
2019 Nevia
2019 The First King
2019 The Immortal
2023 Last Night of Amore
2025 Feeling Better
???? Tre ciotole
Video Assist Operator:
2004 Private
2010 Into Paradiso
2010 Niente orchidee
2012 Cargo
2013 Human Capital
2015 Chlorine
2015 Suburra
2015 Un posto sicuro
2015 We Accept Miracles
2016 At War for Love
2016 Like Crazy
2018 I'm Back
2018 Little Tito and the Aliens
2019 Nevia
2019 The First King
2019 The Immortal
2023 Last Night of Amore
2025 Feeling Better
???? Tre ciotole
Camera Operator:
2014 Gomorrah
Cinematography:
2014 Gomorrah
2022 Blocco 181
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.