A work in constant progress (and occasional regress).
Release Date:
December 3, 2013
Original Title:
Il capitale umano
Alternate Titles:
El capital humano
Les opportunistes
휴먼 캐피탈
Genres:
Drama
Production Companies:
Indiana Production
Manny Films
Motorino Amaranto
RAI Cinema
Production Countries:
Italy
Ratings / Certifications:
CH: 12 DE: 12 DK: 11 GR: Κ-15 IE: 15 IT: T JP: PG12 SE: 15 TW: 12+
Runtime: 111
The destinies of two families are irrevocably tied together after a cyclist is hit off the road by a jeep in the night before Christmas Eve.
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Assistant Camera:
Karine Arlot
Giulio Innocenti
Associate Producer:
Lorenzo Gangarossa
Boom Operator:
Emanuele Chiappa
Camera Operator:
Guido Michelotti
Co-Producer:
Philippe Gompel
Birgit Kemner
Paolo Del Brocco
Costume Design:
Bettina Pontiggia
Director:
Paolo Virzì
Director of Photography:
Jérôme Alméras
Editor:
Cecilia Zanuso
First Assistant Director:
Miguel Lombardi
Gaffer:
Xavier Cholet
Hair Department Head:
Stéphane Desmarez
Key Grip:
Luigi Rocchetti
Line Producer:
Alessandro Mascheroni
Location Manager:
Sergio De Vidovich
Makeup Department Head:
Caroline Philiponnat
Novel:
Stephen Amidon
Original Music Composer:
Carlo Virzì
Post Production Coordinator:
Monica Verzolini
Producer:
Marco Cohen
Fabrizio Donvito
Benedetto Habib
Production Coordinator:
Margherita Di Tullio
Micol Lupi
Production Design:
Mauro Radaelli
Production Manager:
Alessandro Manni
Production Secretary:
Michele Priano
Screenplay:
Francesco Piccolo
Paolo Virzì
Francesco Bruni
Script Supervisor:
Giulia Contino
Second Assistant Director:
Elena Casnati
Corrado Fortuna
Eugenio di Fraia
Set Decoration:
Emanuela Colombo
Sound:
Roberto Mozzarelli
Sound Editor:
Daniela Bassani
Special Effects Coordinator:
Franco Galiano
Stunt Coordinator:
Franco Maria Salamon
Unit Production Manager:
Alberto Monte
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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