A work in constant progress (and occasional regress).
Editor Emiliano Battista is a London-based film editor of award winning feature documentaries, dramas and television programs. His films include 3 Minutes, Ten Bullets (Special Jury Prize Sundance 2015, HBO); How is your Fish Today? with Chinese novelist and film-maker Xiaolu Guo (Sundance 2007); The Intimacy of Strangers; The Solitary Life of Cranes, Black Out, and Night, Peace with Eva Weber; Elvis Pelvis (Berlin Film Festival); Dolce Vita Africana, a portrait of Malian photographer Malik Sidibe; The Runner by Saeed Taji Farouky; and The Auction House, a tale of two brothers about the oldest auction house in India. Emiliano has also worked on multi-screen art installations shown in major exhibitions and museums worldwide: All That is Solid Melts into Air and No Permanent Address with Mark Boulos.
Consulting Editor:
2024 What's the Film About?
Editor:
2004 The Concrete Revolution
2005 The Intimacy of Strangers
2006 Every Good Marriage Begins with Tears
2006 How Is Your Fish Today?
2007 Elvis Pelvis
2010 Lost Every Day
2014 The Guvnors
2015 3 ½ Minutes, 10 Bullets
2017 Harry Styles: Behind the Album
2017 Unrest
2018 H Is for Harry
2019 Marghe and Giulia
2021 Hymn from the Hive
2021 The Return
2023 Clean
2023 Defiant
2024 Phantom Parrot
2024 What's the Film About?
Editorial Consultant:
2004 The Concrete Revolution
2005 The Intimacy of Strangers
2006 Every Good Marriage Begins with Tears
2006 How Is Your Fish Today?
2007 Elvis Pelvis
2010 Lost Every Day
2014 The Guvnors
2015 3 ½ Minutes, 10 Bullets
2017 Harry Styles: Behind the Album
2017 Unrest
2018 H Is for Harry
2019 Marghe and Giulia
2021 Hymn from the Hive
2021 The Return
2023 Clean
2023 Defiant
2024 Phantom Parrot
2024 What's the Film About?
???? VIVI
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.