A work in constant progress (and occasional regress).
Release Date:
August 20, 2005
Original Title:
The Intimacy of Strangers
Genres:
Documentary
Production Companies:
NFTS
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 20
You use to have to make an effort to overhear other people's intimate conversations. Now you have to make an effort not to. The Intimacy of Strangers is a story of life, love, loss and hope - entirely constructed out of real, overheard mobile phone conversations
Assistant Editor:
Helen Paszyn
Director:
Eva Weber
Director of Photography:
Catherine Derry
Per Tingleff
Editor:
Emiliano Battista
Original Music Composer:
David Schweitzer
Producer:
Samantha Zarzosa
Production Assistant:
Ross McKenzie
Runner Art Department:
Hayley Wright
Sound Editor:
Ashley Bond
Sound Re-Recording Mixer:
Dan Johnson
Sound Recordist:
Asley Judd
David Sohanpal
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.