A work in constant progress (and occasional regress).
Camera Operator:
2021 My Brother, My Sister
Clapper Loader:
2001 The Emperor's New Clothes
2021 My Brother, My Sister
First Assistant "A" Camera:
2001 The Emperor's New Clothes
2014 300: Rise of an Empire
2019 Cats
2019 Yesterday
2020 Ghosts of War
2021 My Brother, My Sister
First Assistant "C" Camera:
2001 The Emperor's New Clothes
2014 300: Rise of an Empire
2015 Avengers: Age of Ultron
2017 All the Money in the World
2019 Cats
2019 Yesterday
2020 Ghosts of War
2021 My Brother, My Sister
First Assistant Camera:
2001 The Emperor's New Clothes
2010 The Way Back
2014 300: Rise of an Empire
2014 Pompeii
2015 Avengers: Age of Ultron
2015 Everest
2017 All the Money in the World
2019 Cats
2019 Yesterday
2020 Ghosts of War
2021 My Brother, My Sister
Second Assistant Camera:
2001 The Emperor's New Clothes
2002 Pinocchio
2005 A Sound of Thunder
2010 The Way Back
2014 300: Rise of an Empire
2014 Pompeii
2015 Avengers: Age of Ultron
2015 Everest
2017 All the Money in the World
2019 Cats
2019 Yesterday
2020 Ghosts of War
2021 My Brother, My Sister
Second Unit Director of Photography:
2001 The Emperor's New Clothes
2002 Pinocchio
2005 A Sound of Thunder
2006 The Goodbye Kiss
2010 The Way Back
2014 300: Rise of an Empire
2014 Pompeii
2015 Avengers: Age of Ultron
2015 Everest
2017 All the Money in the World
2019 Cats
2019 Yesterday
2020 Ghosts of War
2021 My Brother, My Sister
Steadicam Operator:
2001 The Emperor's New Clothes
2002 Pinocchio
2005 A Sound of Thunder
2006 The Goodbye Kiss
2010 The Way Back
2014 300: Rise of an Empire
2014 Pompeii
2015 Avengers: Age of Ultron
2015 Everest
2017 All the Money in the World
2019 Cats
2019 Yesterday
2020 Ghosts of War
2021 My Brother, My Sister
First Assistant Camera:
2018 Trust
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.