A work in constant progress (and occasional regress).
Release Date:
August 11, 2001
Original Title:
The Emperor's New Clothes
Alternate Titles:
I vestiti nuovi dell'imperatore
벌거벗은 임금님
Genres:
Comedy | Drama
Production Companies:
Film4 Productions
Mikado Film
Panorama Films
RAI
Redwave Films
Senator Film
Production Countries:
Germany | Italy | United Kingdom
Ratings / Certifications:
N/A
Runtime: 107
Napoleon, exiled, devises a plan to retake the throne. He'll swap places with commoner Eugene Lenormand, sneak into Paris, then Lenormand will reveal himself and Napoleon will regain his throne. Things don't go at all well; first, the journey proves more difficult than expected, but more disastrously, Lenormand enjoys himself too much to reveal the deception. Napoleon adjusts somewhat uneasily to the life of a commoner while waiting, while Lenormand gorges on rich food.
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ADR Editor:
Stewart Henderson
Art Department Assistant:
Mario Tasciotti
Art Department Coordinator:
Manuel Carlucci
Art Direction:
Carlo Rescigno
Assistant Art Director:
Barbel Elizabet Krisel
Assistant Costume Designer:
Stefania Corsetti
Assistant Editor:
Denton Brown
Liberata Zocchi
Assistant Makeup Artist:
Alvaro Rossi
Assistant Production Coordinator:
Christian Giuliani
Associate Producer:
Kevin Molony
Camera Operator:
Fabrizio Vicari
Raoul Torresi
Casting:
Leo Davis
Casting Assistant:
Melissa Holm
Clapper Loader:
Emiliano Topai
Co-Producer:
Marco Valerio Pugini
James Wilson
Polly Leys
Conductor:
David Snell
Construction Coordinator:
Massimiliano Frondaroli
Construction Manager:
Iolando Rocchetti
Costume Design:
Sergio Ballo
Costume Supervisor:
Paolo Faenzi
Dialogue Coach:
Julia Wilson Dickson
Dialogue Editor:
Stewart Henderson
Director:
Alan Taylor
Director of Photography:
Alessio Gelsini Torresi
Draughtsman:
Saverio Sammali
Editor:
Masahiro Hirakubo
Electrician:
Massimiliano Sticchi
Francesco Colangeli
Alessandro Rossi
Executive Producer:
Hanno Huth
Paul Webster
Roberto Cicutto
First Assistant Director:
Sergio Ercolessi
First Assistant Editor:
Neil Williams
Focus Puller:
Riccardo Umetelli
Stefano Fenocchi
Foley Artist:
Clare Mahoney
Peter Burgis
Andie Derrick
Foley Editor:
Jim Roddan
Gaffer:
Marco Sticchi
Grip:
Mario Stella
Enrico Stella
Raffaele Stella
Alejandro Rosas Allain
Hairstylist:
Anna De Santis
Alessandra Molinari
Cesare Paciotti
Gianna Viola
Key Grip:
Stefano Biscaro
Key Hair Stylist:
Elda Magnanti
Key Makeup Artist:
Giancarlo Del Brocco
Location Manager:
Vito Colazzo
Marcantonio Borghese
Makeup Artist:
Alfredo Tiberi
Antonio Maltempo
Novel:
Simon Leys
Orchestrator:
Rachel Portman
Jeff Atmajian
Original Music Composer:
Rachel Portman
Producer:
Uberto Pasolini
Production Accountant:
Jim Hajicosta
Giorgio Tregnaghi
Production Coordinator:
Mona Bernal
Production Design:
Andrea Crisanti
Production Secretary:
Benedetta Von Normann
Francesca Birri
Patrizia Roletti
Rigging Gaffer:
Claudio Frollano
Rigging Grip:
Marco Alzetta
Orlando Graupiera Acosta
Pietro Santarelli
Maurizio Micalizzi
Screenplay:
Alan Taylor
Kevin Molony
Herbie Wave
Script Editor:
Rachel Bennette
Script Supervisor:
Giorgia Onofri
Seamstress:
Rosa Moschella
Giordana Russo
Giacoma Mellini
Simona Boccanfuso
Gisa Rinaldi
Filomena Monterisi
Second Assistant Director:
Luca Brignone
Security:
Alberto Carmellini
Set Dresser:
Bruno Amalfitano
Sound Editor:
Jupiter Sen
Sound Recordist:
Clive Winter
Still Photographer:
Philippe Antonello
Studio Teacher:
Gino Parisi
Stunt Coordinator:
Riccardo Mioni
Stunt Double:
Katia Crispino
Omero Capanna
Giuseppe 'Peppinello' Vivenzio
Ferdinando Stazzone
Third Assistant Director:
Emanuela Minoli
Transportation Captain:
Daniele Abeille
Unit Production Manager:
Fabiomassimo Dell'Orco
Visual Effects Producer:
Martin Hobbs
Wardrobe Assistant:
Alice Persano
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.