Miguel P. Gilaberte

Alias:
Miguel Gilaberte
Miguel Perez
Miguel Perez Gilaberte
Miguel Pérez
Miguel Pérez Gilaberte

Birthplace:
Spain

Member of the Spanish Society of Cinematographers (AEC)

Additional information:

The Search Form


Cinematography:
2021  Dawns in Calcutta

Color Grading:
2013  The Cosmonaut
2016  Bakery in Brooklyn
2021  Dawns in Calcutta
2022  HollyBlood

Color Timer:
2001  Black Serenade
2001  We Need Each Other
2003  Soccer Days
2013  The Cosmonaut
2016  Bakery in Brooklyn
2021  Dawns in Calcutta
2022  HollyBlood

Digital Colorist:
2001  Black Serenade
2001  We Need Each Other
2003  Soccer Days
2013  The Cosmonaut
2014  For a Handful of Kisses
2016  Bakery in Brooklyn
2021  Dawns in Calcutta
2022  HollyBlood

Digital Intermediate:
2001  Black Serenade
2001  We Need Each Other
2003  Soccer Days
2009  The Secret in Their Eyes
2013  The Cosmonaut
2014  For a Handful of Kisses
2016  Bakery in Brooklyn
2021  Dawns in Calcutta
2022  HollyBlood

Digital Intermediate Colorist:
2001  Black Serenade
2001  We Need Each Other
2003  Soccer Days
2004  Isi/Disi - Amor a lo bestia
2004  The Sea Inside
2009  Broken Embraces
2009  The Cannibalistic Councillor
2009  The Secret in Their Eyes
2010  Stars to Wish Upon
2013  The Cosmonaut
2014  For a Handful of Kisses
2016  Bakery in Brooklyn
2021  Dawns in Calcutta
2022  HollyBlood

Director of Photography:
2001  Black Serenade
2001  We Need Each Other
2003  Soccer Days
2004  Isi/Disi - Amor a lo bestia
2004  The Sea Inside
2009  Broken Embraces
2009  The Cannibalistic Councillor
2009  The Secret in Their Eyes
2010  Stars to Wish Upon
2010  Ways to Live Forever
2013  The Cosmonaut
2014  For a Handful of Kisses
2016  Bakery in Brooklyn
2017  It's for Your Own Good
2019  Get Her... If You Can
2021  Dawns in Calcutta
2022  HollyBlood
2023  Amigos hasta la muerte
2024  Un ángel llamado Rebeca

Director of Photography:
2017  The Velvet Collection
2021  The Envoys

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.