A work in constant progress (and occasional regress).
Key Makeup Artist:
1996 Exit
2000 Sharing the Secret
2018 Measure of a Man
2020 Sound of Metal
2022 Confess, Fletch
Makeup Artist:
1996 Exit
1998 Halloween H20: 20 Years Later
1998 The Patriot
2000 Sharing the Secret
2002 Blood Work
2003 Mystic River
2016 Central Intelligence
2016 The Finest Hours
2016 The Purge: Election Year
2017 Daddy's Home 2
2018 Measure of a Man
2020 Godmothered
2020 Hubie Halloween
2020 Sound of Metal
2021 Don't Look Up
2022 Confess, Fletch
Makeup Department Head:
1996 Exit
1998 Halloween H20: 20 Years Later
1998 The Patriot
2000 Sharing the Secret
2001 Devil's Prey
2002 100 Women
2002 Blood Work
2003 Mystic River
2016 Central Intelligence
2016 The Finest Hours
2016 The Purge: Election Year
2017 Daddy's Home 2
2018 Grace
2018 Measure of a Man
2018 Slender Man
2020 Godmothered
2020 Hubie Halloween
2020 Sound of Metal
2021 CODA
2021 Don't Look Up
2022 Confess, Fletch
2024 Challengers
Makeup Effects:
1996 Exit
1998 Halloween H20: 20 Years Later
1998 The Patriot
2000 Sharing the Secret
2001 Devil's Prey
2002 100 Women
2002 Blood Work
2003 Mystic River
2016 Central Intelligence
2016 The Finest Hours
2016 The Purge: Election Year
2017 Daddy's Home 2
2017 Stronger
2018 Grace
2018 Measure of a Man
2018 Slender Man
2020 Godmothered
2020 Hubie Halloween
2020 Sound of Metal
2021 CODA
2021 Don't Look Up
2022 Confess, Fletch
2024 Challengers
Makeup Artist:
2019 NOS4A2
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.