A work in constant progress (and occasional regress).
Release Date:
January 27, 2016
Original Title:
The Finest Hours
Alternate Titles:
Czas Próby
Horas contadas
La hora decisiva
Las Horas Contadas
The Finest Hours
The Finest Hours - Rettung auf hoher See
TheFinestHours
ザ・ブリザード
Genres:
Action | Drama | History | Thriller
Production Companies:
Bergsten Music
Red Hawk Entertainment
Walt Disney Pictures
Whitaker Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BE: 14 BR: 10 DE: 12 DK: 11 ES: 7 FR: U GB: 12 GR: Κ HU: 16 IE: 12 JP: G NL: 12 PL: 16 PT: M/14 RO: 12 RU: 12+ SE: 15 TR: 13A TW: 0+ US: PG-13
Runtime: 117
The Coast Guard makes a daring rescue attempt off the coast of Cape Cod after a pair of oil tankers are destroyed during a blizzard in 1952.
Additional Still Photographer:
Seacia Pavao
Animation:
Aaron Deerfield
Ran Sieradzki
Shaila Tobin
Animation Supervisor:
Tom Goodenough
Art Department Coordinator:
J.M. Hunter
Assistant Art Director:
Samantha Avila
Assistant Editor:
Jered Zalman
Book:
Casey Sherman
Michael J. Tougias
CG Supervisor:
Adriano Rinaldi
Paul Wishart
Gong Myung Lee
Chris Ryan
Camera Operator:
Jamie Alac
Casting:
Mindy Marin
Casting Associate:
Kara Lipson
Choreographer:
Dan Marshall
Construction Coordinator:
Joseph Kearney
Costume Design:
Louise Frogley
Costume Supervisor:
Donna Casey-Aira
Dialogue Editor:
Daniel Saxlid
Daniel S. Irwin
Digital Intermediate:
Joe Ken
Annie Johnson
Stefan Sonnenfeld
Director:
Craig Gillespie
Director of Photography:
Javier Aguirresarobe
Editor:
Tatiana S. Riegel
Executive Producer:
Douglas C. Merrifield
First Assistant Editor:
Daniel Boccoli
Foley:
John T. Cucci
John Sanacore
Dan O'Connell
Foley Editor:
Luke Gibleon
Gaffer:
Phil Darrell
Scott D. Davis
Hair Department Head:
Mary L. Hart-Mastro
Hairstylist:
Brenda McNally
Raul Hernandez
Paula Dion
Rebecca Woodfork
Helicopter Camera:
Brian Heller
Leadman:
Cameron Matheson
Lighting Programmer:
Christopher Ferguson
Makeup Artist:
Juliet Loveland
Linda Kaufman
Desne J. Holland
Trish Seeney
Joe Rossi
Makeup Department Head:
Whitney James
Music Editor:
Adam Milo Smalley
Original Music Composer:
Carter Burwell
Producer:
Dorothy Aufiero
Jim Whitaker
Production Design:
Michael Corenblith
Property Master:
David Gulick
Researcher:
Stephani DeLuca
Rigging Gaffer:
Mark J. Casey
Screenplay:
Scott Silver
Paul Tamasy
Eric Johnson
Script Supervisor:
Diane Durant
Set Costumer:
Aimee McCue
Parrish Kennington
Beau Desmond
Set Decoration:
Susan Benjamin
Set Designer:
Lorrie Campbell
Steven M. Saylor
Masako Masuda
Clint Wallace
Robert Andrew Johnson
Bria Kinter
Sound Effects Editor:
Tim Walston
Albert Gasser
Sound Re-Recording Mixer:
Dean A. Zupancic
Andy Koyama
Special Effects Coordinator:
Craig 'Tex' Barnett
Special Effects Supervisor:
Mark Hawker
Still Photographer:
Claire Folger
Stunt Double:
Tim Trella
Jodi Michelle Pynn
Edward Gabree
Thomas La Marche
Josh Vinyard
Mariusz Kubicki
Pete Klein
Airon Armstrong
Matt Emig
Dave Reaves
Caroline Vexler
Evan Dane Taylor
Stunts:
Aaron Vexler
Peter Epstein
George B. Colucci Jr.
Supervising ADR Editor:
Daniel S. Irwin
Supervising Art Director:
William Ladd Skinner
Supervising Sound Editor:
Mark P. Stoeckinger
Underwater Camera:
Peter Zuccarini
VFX Editor:
Garrett Wilson
Tom Driscoll
Visual Effects Editor:
Danny Singh
Steve Bobertz
Chris Kowal
Thomas MacKenzie
Visual Effects Producer:
Paul V. Molles
Felix Crawshaw
Visual Effects Supervisor:
Seth Maury
Aaron Weintraub
Kevin T. Hahn
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.