A work in constant progress (and occasional regress).
Alias:
Cesar Hernando
Cesar Hernando Ayala
Cesar Pio Hernando
Birthplace:
Spain
César Hernando had an AFS (American Field Services) scholarship and graduated in Kettering High School. He studied Communication Sciences at the University of Madrid and also graduated in cinematography and editing at I.O.R.T.V.E. (The Official Institute of Spanish National Television). He is also an active member of A.E.C.(Spanish Association of Airectors of Ainematography). He has been working as D.O.P and camera operator for the last 25 years for different public and private national and international channels such as TVE, Canal +, ZDF, Arte, among others. He has worked especially national feature films and in the field of international documentaries. He also works frequently in commercials and combines his photography and operating skills, both in video and cinematographic formats, with teaching at the Universidad Francisco de Vitoria, he also teaches digital cinematography at Institute of Spanish National Television.
Camera Operator:
2003 Marry Me, Maribel
2021 Un viaje hacia nosotros
Cinematography:
1995 Adam's Dream
2003 Marry Me, Maribel
2021 Un viaje hacia nosotros
Color Grading:
1995 Adam's Dream
2003 Marry Me, Maribel
2021 A este lado de la carretera: Danza Invisible y la magia de Torremolinos
2021 Un viaje hacia nosotros
Director of Photography:
1995 Adam's Dream
1996 Zapico
1998 Los Díaz felices
1998 Ánimas
2003 Marry Me, Maribel
2008 Clandestinos
2009 The Raja's Letter
2015 Conexión Almería
2016 Cántico
2018 A Happy Woman
2020 Paraíso en llamas
2021 A este lado de la carretera: Danza Invisible y la magia de Torremolinos
2021 Fosforito: una historia de flamenco
2021 Un viaje hacia nosotros
2022 Final Round
2023 Caleta Palace
2023 Sacrilegio
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.