A work in constant progress (and occasional regress).
Release Date:
November 14, 2003
Original Title:
Cásate conmigo, Maribel
Genres:
Comedy
Production Companies:
Filmayer
TVE
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 95
Maribel (Natalia Dicenta) is a prostitute working in Madrid in the late fifties. One night he meets Marcelino (Carlos Hipolito), shy and quiet man who falls for her. For Maribel is in principle a client more, but gradually begins to feel attracted to the shy provincial, owner of a chocolate factory in Soria. Pili (Nathalie Seseña), Rufi (Mireia Ros) and Nini (Malena Alterio), the companions of Maribel, truculent by nature suspicious of this relationship and begin to suspect that the provincial could be a murderer. When Maribel Marcelino asks her to marry him, they intervene and away from Marcelino and his "strange family". Adapted from the play "Maribel and the Strange Family" by Miguel Mihura.
Art Direction:
Montse Ros
Assistant Camera:
Monica García Calero
Saturnino Pita
Assistant Director:
Mercè Coll
Anne Deluz
Alexandra Palau
Assistant Editor:
Manu Zapata
Camera Operator:
César Hernando
Fernando Arribas
Tote Navalón
Costume Assistant:
Inma Artigas
Costume Design:
Cristina Rodríguez Torres
Dialogue Editor:
Paolo Greco
Director:
Ángel Blasco
Director of Photography:
Fernando Arribas
Editor:
Javier Naya
Ángel Blasco
Electrician:
Dani Jareño
Antonio Pascual
Executive Producer:
Mariví de Villanueva
Foley Artist:
Adán Latonda
Gaffer:
Apolinar Ramiro
Grip:
Diego Escribano
Jordi Sardà
Key Makeup Artist:
Concha Martí
Music:
Joan Valent
Producer:
Ángel Blasco
Production Assistant:
Óscar Vigiola
Production Manager:
Beatriz Becerra
Script Supervisor:
Pepa Domínguez
Second Assistant Camera:
Samuel Pita
Christian Molina
Second Assistant Director:
Marta Pahissa
Set Decoration:
Gustavo Suñer
Writer:
Miguel Mihura
Ángel Blasco
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.