A work in constant progress (and occasional regress).
Born:
June 16, 1961
António Costa Valente holds a PhD in Communication Sciences and Technologies from the University of Aveiro. He was a visiting professor at the public universities of Aveiro and Vila Real and director of the Theater and Cinema Department at ESAP – Escola Superior Artística do Porto. He directs the AVANCA Film Festival since 1997, the scientific conference AVANCA|CINEMA since 2010 and coordinates the “Prémio Eng.º. Fernando Gonçalves Lavrador ”, awarded annually to the best academic research on cinema. He is coordinator of Europe in the “International Federation of Film Societies” and national coordinator of “INPUT-TV”, an international conference that annually brings together public televisions from around the world. He is co-editor of the “International Journal of Cinema”. He has produced and directed films that have been distinguished with more than three hundred awards at festivals on all continents. Among them, he produced and co-directed the first feature film of Portuguese animation cinema. He is the author of several books, book chapters and other scientific publications. It has several doctoral and master’s thesis orientations completed. He is a reviewer of several national and international scientific conferences and journals. Research Interests: Cinema studies; Communication Sciences and Technologies; Art Studies; Artistic expressions. Latests Publications: Costa Valente, A. (2020). Viagens pelo Éter, um cinema após 2008. Avanca, Portugal: debatEvolution. ISBN 978-989-54075-7-6 Costa Valente, A. (2020). (des)possível prefácio. In Federico Fellini a inevitabilidade da arte (pp. 7-12). debatEvolution, 7-12. Avanca, Portugal: debatEvolution. ISBN 978-989-54075-6-9 Costa Valente, A. (2019). Entre dois Planos Nacionais – o reduzido cinema português e o grande espaço da literatura (pp.47-59). In Cinema e Outras Artes I: Diálogos e Inquietudes Artísticas. Covilhã, Portugal: Labcom IFP. ISBN: 978-989-654-583-3 Guzmán, N., Lloret, N., Costa Valente, A. (2019). Plataformas de creación colaborativa em el audiovisual. In Avanca Cinema (pp. 859-865). Edições Cineclube de Avanca, 2019. https://doi.org/10.37390/ac.v0i0.80
Associate Producer:
2012 Prescription
2019 Carnaval Sujo
Director:
2008 To The Top Of The World
2012 Prescription
2019 Carnaval Sujo
Producer:
2007 Área Protegida
2008 To The Top Of The World
2009 Café
2009 a cat without a name
2010 Desta Água...
2010 Tale of the Wind
2012 Prescription
2013 Fatal Sin
2016 Landing
2018 Uma Vida Sublime
2019 Boca do Inferno
2019 Carnaval Sujo
2021 Entre Sonhos
2021 Famille FC
2022 A espuma e o Leão
2022 Já Nada Sei
2022 O Antiquário
2023 Cloak of Honors, The tale of the boy and the old men
???? TERRAM – Terra e mar
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.