A work in constant progress (and occasional regress).
Release Date:
March 1, 2025
Original Title:
Criadores de Ídolos
Genres:
Drama | Fantasy
Production Companies:
Cine-Clube de Avanca
Filmógrafo
Ratings / Certifications:
N/A
Runtime: 100
At the age of 22, Sofia discovers that her father and grandfather belong to the “Order of Idol Makers”. This Order planned and executed the deaths of Socrates, John F. Kennedy, Elvis, Marylin Monroe, and many others in order to turn them into Idols. They believe that idols are necessary to inspire young people and to promote noble values in a society that is increasingly full of frivolous / vain / superficial ideas and people. Their death is the only way to immortalize the noblest among them. However, until now, only men who are sons of members of the Order were allowed to join. Now, for the first time, they’ve decided to give a woman the chance...
Director:
Luís Diogo
Director of Photography:
Pedro Farate
Hairstylist:
Ruby Kruss
Makeup Artist:
Ruby Kruss
Music:
DJWILD
John Black Wolf
Producer:
António Costa Valente
Writer:
Luís Diogo
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.