A work in constant progress (and occasional regress).
ADR Editor:
2013 The Place Beyond the Pines
Dialogue Editor:
2013 The Place Beyond the Pines
2016 All We Had
2016 Strange Weather
2023 Theater Camp
Sound:
2013 The Place Beyond the Pines
2014 Creamen
2016 All We Had
2016 Strange Weather
2021 The Vow From Hiroshima
2023 Theater Camp
Sound Designer:
2013 The Place Beyond the Pines
2014 Creamen
2016 All We Had
2016 Strange Weather
2018 RBG
2019 Fyre Fraud
2021 Adrienne
2021 The Vow From Hiroshima
2023 Theater Camp
Sound Editor:
2012 The Zen of Bennett
2013 The Place Beyond the Pines
2014 Creamen
2016 All We Had
2016 Germans & Jews - Eine neue Perspektive
2016 Strange Weather
2018 RBG
2018 Slice
2019 Fyre Fraud
2021 Adrienne
2021 The Vow From Hiroshima
2023 Theater Camp
2024 An American Bombing: The Road to April 19th
Sound Effects Editor:
2012 The Zen of Bennett
2013 The Place Beyond the Pines
2014 Creamen
2015 Steve Jobs: The Man in the Machine
2016 All We Had
2016 Germans & Jews - Eine neue Perspektive
2016 Strange Weather
2018 RBG
2018 Slice
2019 Fyre Fraud
2021 Adrienne
2021 The Vow From Hiroshima
2023 Theater Camp
2024 An American Bombing: The Road to April 19th
Sound Mixer:
1999 The Curse
2008 Blind Spot
2012 The Zen of Bennett
2013 The Place Beyond the Pines
2014 Creamen
2015 Steve Jobs: The Man in the Machine
2016 All We Had
2016 Germans & Jews - Eine neue Perspektive
2016 Strange Weather
2018 RBG
2018 Slice
2019 Fyre Fraud
2021 Adrienne
2021 The Vow From Hiroshima
2023 Theater Camp
2024 An American Bombing: The Road to April 19th
Sound Re-Recording Assistant:
1999 The Curse
2002 Tully
2008 Blind Spot
2012 The Zen of Bennett
2013 The Place Beyond the Pines
2014 Creamen
2015 Steve Jobs: The Man in the Machine
2016 All We Had
2016 Germans & Jews - Eine neue Perspektive
2016 Strange Weather
2018 RBG
2018 Slice
2019 Fyre Fraud
2021 Adrienne
2021 The Vow From Hiroshima
2023 Theater Camp
2024 An American Bombing: The Road to April 19th
Sound Re-Recording Mixer:
1999 The Curse
2002 Tully
2008 Blind Spot
2012 The Zen of Bennett
2013 The Place Beyond the Pines
2014 Creamen
2015 Steve Jobs: The Man in the Machine
2016 All We Had
2016 Germans & Jews - Eine neue Perspektive
2016 Strange Weather
2018 RBG
2018 Slice
2019 Fyre Fraud
2021 Adrienne
2021 The Vow From Hiroshima
2023 Theater Camp
2024 An American Bombing: The Road to April 19th
Supervising Dialogue Editor:
1999 The Curse
2002 Tully
2008 Blind Spot
2010 Blue Valentine
2012 The Zen of Bennett
2013 The Place Beyond the Pines
2014 Creamen
2015 Steve Jobs: The Man in the Machine
2016 All We Had
2016 Germans & Jews - Eine neue Perspektive
2016 Strange Weather
2018 RBG
2018 Slice
2019 Fyre Fraud
2021 Adrienne
2021 The Vow From Hiroshima
2023 Theater Camp
2024 An American Bombing: The Road to April 19th
Dialogue Editor:
2025 Goosebumps: The Vanishing
Sound Designer:
2017 Time: The Kalief Browder Story
2025 Goosebumps: The Vanishing
Sound Editor:
2017 Time: The Kalief Browder Story
2025 Goosebumps: The Vanishing
Sound Re-Recording Mixer:
2017 Time: The Kalief Browder Story
2022 Undercurrent: The Disappearance of Kim Wall
2023 Telemarketers
2025 Goosebumps: The Vanishing
Supervising Sound Editor:
2017 Time: The Kalief Browder Story
2022 Undercurrent: The Disappearance of Kim Wall
2023 Telemarketers
2025 Goosebumps: The Vanishing
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.