A work in constant progress (and occasional regress).
Release Date:
August 7, 2015
Original Title:
Steve Jobs: The Man in the Machine
Alternate Titles:
Steve Jobs - Muž ve stroji
Steve Jobs The man in the machine
Steve Jobs: Man in the Machine
Стив Джобс: Человек в машине
史蒂夫 乔布斯 机器人生
Genres:
Documentary
Production Companies:
CNN Films
Jigsaw Productions
Magnolia Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 16 FR: U JP: PG12 NL: 18 PL: 18 SE: 15 US: R
Runtime: 129
When Steve Jobs died the world wept. But what accounted for the grief of millions of people who didn’t know him? This evocative film navigates Jobs' path from a small house in the suburbs, to zen temples in Japan, to the CEO's office of the world's richest company, exploring how Jobs’ life and work shaped our relationship with the computer. The Man in the Machine is a provocative and sometimes startling re-evaluation of the legacy of an icon.
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Animation:
Nick Gibney
Associate Producer:
Cara Mones
Co-Executive Producer:
Richard Perello
Digital Intermediate:
Jeff Cornell
Christina Delerme
Joey Handy
Keith Jenson
Jack Lewars
Director:
Alex Gibney
Director of Photography:
Sam Painter
Yutaka Yamazaki
Editor:
Michael J. Palmer
Erin Barnett
Executive Producer:
Gaby Darbyshire
Stacey Offman
Original Music Composer:
Will Bates
Post Production Supervisor:
Kelley Cribben
Producer:
Viva Van Loock
Alex Gibney
Production Accountant:
Mia Lam
Sound Effects Editor:
Daniel Timmons
Evan Benjamin
Sound Recordist:
Dave Goetter
Michael Jones
Marshall Potter
Supervising Producer:
Courtney Sexton
Title Graphics:
Chris Bialkowski
Writer:
Alex Gibney
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.