A work in constant progress (and occasional regress).
Alias:
James A. Crabe
James Aubrey Crabe
James Crabbe
Jim Crabbe
Jim Crabe
Jimmy Crabe
Birthplace:
Los Angeles, California, USA
Born:
August 19, 1931
Died:
May 2, 1989
James Crabe (August 19, 1931 – May 2, 1989) was an American cinematographer known for his work in the 1970s and '80s on numerous films, including Rocky, The China Syndrome, Night Shift, The Karate Kid, and Thank God It's Friday. He was a part of the 1960s underground film collective known as Gay Girls Riding Club, a group of gay men in the industry, who spoofed Hollywood movies in a series of elaborate amateur films.
Cinematography:
1965 The Bold Men
1972 All About Alice
Director of Photography:
1960 The Proper Time
1964 Everybody Loves It
1965 The Bold Men
1966 Agent for H.A.R.M.
1970 Lost Flight
1970 Sole Survivor
1970 Zig Zag
1971 A Step Out of Line
1971 Sweet, Sweet Rachel
1972 All About Alice
1972 The Honkers
1973 Save the Tiger
1973 The Great American Beauty Contest
1974 Rhinoceros
1974 The Autobiography of Miss Jane Pittman
1975 F. Scott Fitzgerald in Hollywood
1975 The Dead Don't Die
1975 W.W. and the Dixie Dancekings
1976 Rocky
1976 The Disappearance of Aimee
1977 Eleanor and Franklin: The White House Years
1978 A Death in Canaan
1978 Sextette
1978 Thank God It's Friday
1979 Players
1979 Strangers: The Story of a Mother and Daughter
1979 The China Syndrome
1980 How to Beat the High Cost of Living
1980 The Baltimore Bullet
1980 The Formula
1982 Night Shift
1982 The Letter
1983 Two Kinds of Love
1984 Concrete Beat
1984 Family Secrets
1984 The Karate Kid
1985 Covenant
1985 Police Academy 2: Their First Assignment
1985 The Hugga Bunch
1986 George Washington II: The Forging of a Nation
1986 The Karate Kid Part II
1986 When the Bough Breaks
1987 Deadly Care
1987 Happy New Year
1987 Her Secret Life
1988 For Keeps
In Memory Of:
1960 The Proper Time
1964 Everybody Loves It
1965 The Bold Men
1966 Agent for H.A.R.M.
1970 Lost Flight
1970 Sole Survivor
1970 Zig Zag
1971 A Step Out of Line
1971 Sweet, Sweet Rachel
1972 All About Alice
1972 The Honkers
1973 Save the Tiger
1973 The Great American Beauty Contest
1974 Rhinoceros
1974 The Autobiography of Miss Jane Pittman
1975 F. Scott Fitzgerald in Hollywood
1975 The Dead Don't Die
1975 W.W. and the Dixie Dancekings
1976 Rocky
1976 The Disappearance of Aimee
1977 Eleanor and Franklin: The White House Years
1978 A Death in Canaan
1978 Sextette
1978 Thank God It's Friday
1979 Players
1979 Strangers: The Story of a Mother and Daughter
1979 The China Syndrome
1980 How to Beat the High Cost of Living
1980 The Baltimore Bullet
1980 The Formula
1982 Night Shift
1982 The Letter
1983 Two Kinds of Love
1984 Concrete Beat
1984 Family Secrets
1984 The Karate Kid
1985 Covenant
1985 Police Academy 2: Their First Assignment
1985 The Hugga Bunch
1986 George Washington II: The Forging of a Nation
1986 The Karate Kid Part II
1986 When the Bough Breaks
1987 Deadly Care
1987 Happy New Year
1987 Her Secret Life
1988 For Keeps
1989 The Karate Kid Part III
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.