A work in constant progress (and occasional regress).
Release Date:
June 18, 1986
Original Title:
The Karate Kid Part II
Alternate Titles:
Karate Kid II: mästarprovet
Karaté kid 2
بچه کاراتهباز ۲
پسر کاراتهباز ۲
베스트키드 2
Genres:
Action | Adventure | Drama | Family | Romance
Production Companies:
Columbia Pictures
Delphi II Productions
Production Countries:
United States of America
Ratings / Certifications:
AU: PG BR: L DE: 12 DK: 11 ES: A FR: TP GB: PG IE: PG IT: T JP: G MX: A NL: 12 PT: M/12 SE: 11 US: PG
Runtime: 113
Summoned by his dying father, Miyagi returns to his homeland of Okinawa, with Daniel, after a 40-year exile. There he must confront Yukie, the love of his youth, and Sato, his former best friend turned vengeful rival. Sato is bent on a fight to the death, even if it means the destruction of their village. Daniel finds his own love in Yukia's niece, Kumiko, and his own enemy in Sato's nephew, the vicious Chozen. Now, far away from the tournaments, cheering crowds and safety of home, Daniel will face his greatest challenge ever when the cost of honor is life itself.
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ADR Editor:
Jay Kamen
Richard Friedman
Art Direction:
William F. Matthews
Assistant Accountant:
Jan Foreman
Assistant Editor:
Karen Kory
Douglas Brumer
Penelope Shaw
Assistant Sound Editor:
Blake R. Cornett
Martha Burns Holsen
Associate Producer:
Karen Rosenfelt
William J. Cassidy
Susan Ekins
Best Boy Electric:
Phil Walker
Best Boy Grip:
John Lubin
Boom Operator:
David Stafford
Cableman:
William M. Randall Jr.
Camera Operator:
Craig Denault
Stephen St. John
Casting:
Caro Jones
Characters:
Robert Mark Kamen
Chief Lighting Technician:
Ross A. Maehl
Choreographer:
Paul De Rolf
Nobuko Miyamoto
Jose De Vega
Color Timer:
Reid Burns
Construction Coordinator:
Hendrik Wynands
Construction Foreman:
Danny Wynands
Michael Van Dyke
Mike Wynands
Costume Designer:
Mary Malin
Costume Supervisor:
Eddie Marks
Elizabeth Pine
Director:
John G. Avildsen
Director of Photography:
James Crabe
Dolly Grip:
O.T. Henderson
Editor:
Jane Kurson
John G. Avildsen
David Garfield
Executive Producer:
R.J. Louis
Extras Casting:
Marge Spencer
First Assistant Camera:
Alan R. Disler
Brad Edmiston
First Assistant Director:
Clifford C. Coleman
Foley Editor:
Jim Bullock
Hairstylist:
Steve Elsbree
Key Grip:
James M. Sheppherd
Key Hair Stylist:
Cheri Ruff
Key Makeup Artist:
John M. Elliott Jr.
Leadman:
Mark Hite
Location Manager:
Pete Corral
Lyricist:
Peter Cetera
David Foster
Diane Nini
Makeup Artist:
Jim Kail
Martial Arts Choreographer:
Pat E. Johnson
Music Editor:
Stephen A. Hope
Music Supervisor:
Brooks Arthur
Orchestrator:
Jack Eskew
Original Music Composer:
Bill Conti
Producer:
Jerry Weintraub
Producer's Assistant:
Jennifer Erskine
Julie Weintraub
Jamie Weintraub
Jody Weintraub
Production Accountant:
Diane Bandolas
Production Coordinator:
Jeannie Jeha
Production Design:
William J. Cassidy
Production Illustrator:
Robert Branham
David J. Negrón Jr.
Property Master:
Sam Gordon
Props:
Richard Leon
Scoring Mixer:
Dan Wallin
Script Supervisor:
Marshall Schlom
Second Assistant Camera:
Mario Zavala
Second Assistant Director:
Dennis Maguire
Second Second Assistant Director:
Christine Larson
Set Decoration:
Lee Poll
Set Designer:
William James Teegarden
Songs:
Carly Simon
Sound Editor:
Michael P. Redbourn
Joseph Holsen
Bob Cornett
Neil Burrow
Sound Mixer:
William Randall Jr.
Sound Re-Recording Mixer:
Don Digirolamo
Robert 'Buzz' Knudson
Robert Glass
Special Effects:
Paul H. Haines Jr.
Gary Walter Dion
Al Wininger
Standby Painter:
Glen Cooper
Steadicam Operator:
Stephen St. John
Still Photographer:
Ralph Nelson Jr.
Stunts:
Linda Arvidson
Roger Ito
Mike Hassett
Lori Lynn Ross
Erik Felix
Bill M. Ryusaki
Supervising ADR Editor:
Doreen A. Dixon
Supervising Sound Editor:
Tom C. McCarthy
Swing:
Ronnie Wexler
Technical Advisor:
Zenko Heshiki
Yasukazu Takushi
Theme Song Performance:
Peter Cetera
Transportation Captain:
Tino Caira
Transportation Coordinator:
Harry Ueshiro
Alan Falco
Unit Production Manager:
Howard Pine
Unit Publicist:
Peter Benoit
Visual Effects:
Syd Dutton
Bill Taylor
Writer:
Robert Mark Kamen
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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