A work in constant progress (and occasional regress).
Alias:
Joan E. Barnett
Executive Producer:
1983 Adam
1987 Strange Voices
1988 The George McKenna Story
1990 Joshua's Heart
1992 Beyond the Call of Duty
1992 From the Files of Joseph Wambaugh: A Jury of One
1992 Last Wish
1992 Something to Live for: The Alison Gertz Story
1992 The Comrades of Summer
1994 One of Her Own
1995 Between Love and Honor
1996 After the Silence
1996 For My Daughter's Honor
1996 In the Blink of an Eye
1996 Race Against Time: The Search for Sarah
1998 A Father for Brittany
1998 The Marriage Fool
1999 At the Mercy of a Stranger
2000 A Tale of Two Bunnies
2000 Personally Yours
2000 Phantom of the Megaplex
Producer:
1979 Torn Between Two Lovers
1980 Marathon
1980 The Jayne Mansfield Story
1983 Adam
1986 The Parent Trap II
1987 Strange Voices
1988 The George McKenna Story
1990 Joshua's Heart
1990 Unspeakable Acts
1992 Beyond the Call of Duty
1992 From the Files of Joseph Wambaugh: A Jury of One
1992 Last Wish
1992 Something to Live for: The Alison Gertz Story
1992 The Comrades of Summer
1994 One of Her Own
1995 Between Love and Honor
1996 After the Silence
1996 For My Daughter's Honor
1996 In the Blink of an Eye
1996 Race Against Time: The Search for Sarah
1998 A Father for Brittany
1998 The Marriage Fool
1999 At the Mercy of a Stranger
2000 A Tale of Two Bunnies
2000 Personally Yours
2000 Phantom of the Megaplex
Producer's Assistant:
1956 Tony Awards
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.