A work in constant progress (and occasional regress).
Release Date:
March 26, 1992
Original Title:
Something to Live for: The Alison Gertz Story
Alternate Titles:
Fatal Love
Un amour fatal
Genres:
Drama | TV Movie
Production Companies:
Grossbart Barnett Productions
Spectacor Films
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 90
An AIDS-stricken woman becomes a leader in the struggle to educate people about the disease and its prevention.
Assistant Editor:
Barbara Gerard
Paula S. Vannucci
Assistant Property Master:
Paul Mancuso
Best Boy Electric:
Rob Gerstner
Best Boy Grip:
Don Estes
Boom Operator:
Pud Cusack
Camera Operator:
Don Devine
Casting:
Joel Thurm
Casting Associate:
Maria Martin
Greg Steele
Costume Design:
Sandy Davidson
Costume Supervisor:
Sandra Araya Jensen
Costumer:
Roberta Pedersen
Director:
Tom McLoughlin
Director of Photography:
Shelly Johnson
Dolly Grip:
Paul Threlkeld
Editor:
Charles Bornstein
Sidney Wolinsky
Executive In Charge Of Production:
Linda L. Kent
Executive Producer:
Joan Barnett
Jack Grossbart
First Assistant Camera:
Scott Andrew Ressler
First Assistant Director:
Richard Peter Schroer
Gaffer:
Terrance W. Hall
Hairstylist:
Paul A. McKay
Key Grip:
Robert J. Babin
Key Hair Stylist:
Roxanne Wightman
Key Makeup Artist:
Melanie Hughes
Line Producer:
Robert Bennett Steinhauer
Makeup Artist:
Jillian Dempsey
Music Editor:
Lori Slomka
Original Music Composer:
David Shire
Production Design:
Glenda Ganis
Property Master:
Kevin Milburn
Recording Supervision:
Jeremy Hoenack
Script Supervisor:
Diane Durant
Second Assistant Camera:
Susan Pollack
Second Assistant Director:
David Fudge
Set Decoration:
Lynda Burbank
Sound Editor:
Ingeborg Larson
Phil Norden
Sound Mixer:
Jacob Goldstein
Melissa Sherwood Hofmann
David M. Weishaar
Special Effects:
Beecher Tomlinson
Special Effects Supervisor:
Vincent Montefusco
Steadicam Operator:
Dan Kneece
Unit Production Manager:
Robert Bennett Steinhauer
Writer:
Deborah Joy LeVine
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.