A work in constant progress (and occasional regress).
ADR Recordist:
2016 Ballad of Return
Mix Technician:
2016 Ballad of Return
2023 Rich in Love 2
Mixing Engineer:
2016 Ballad of Return
2023 Lost Sofia
2023 Rich in Love 2
2023 Salve, Guys!
Recording Supervision:
2016 Ballad of Return
2023 An Unforgettable Year – Autumn
2023 Lost Sofia
2023 Rich in Love 2
2023 Salve, Guys!
Sound Editor:
2016 Ballad of Return
2022 A Jaula
2023 An Unforgettable Year – Autumn
2023 Lost Sofia
2023 Rich in Love 2
2023 Salve, Guys!
Sound Mixer:
2012 Sons da Esperança
2013 In the light of day
2013 O Concurso
2014 Isolados
2015 Qualquer Gato Vira-Lata 2
2016 Ballad of Return
2018 Crô em Família
2019 Sun Inside
2020 Skull: The Mask
2021 The Boy Who Killed My Parents
2021 The Girl Who Killed Her Parents
2022 A Jaula
2022 Christmas Full of Grace
2022 Someone Borrowed
2022 What I've Never Lost
2023 An Unforgettable Year – Autumn
2023 Canção ao Longe
2023 Lost Sofia
2023 No Ritmo da Fé
2023 Rich in Love 2
2023 Salve, Guys!
2024 Sala Escura
2024 Stories of Samba
2024 The Presence of the World in Me
2024 Traces of Love
Sound Re-Recording Mixer:
2012 My Friend Nietzsche
2012 Sons da Esperança
2013 Graffiti Dança
2013 In the light of day
2013 O Concurso
2014 Elite Cup
2014 Isolados
2015 Qualquer Gato Vira-Lata 2
2016 Ballad of Return
2016 Way of Giants
2018 Crô em Família
2018 Unconfessions
2019 Sun Inside
2019 The Dead and the Others
2019 The Yellow Night
2020 Skull: The Mask
2021 The Boy Who Killed My Parents
2021 The Girl Who Killed Her Parents
2022 A Jaula
2022 Christmas Full of Grace
2022 Someone Borrowed
2022 The Rightful
2022 What I've Never Lost
2023 An Unforgettable Year – Autumn
2023 Canção ao Longe
2023 Lost Sofia
2023 No Ritmo da Fé
2023 Rich in Love 2
2023 Salve, Guys!
2024 Sala Escura
2024 Stories of Samba
2024 The Presence of the World in Me
2024 Traces of Love
Sound mixer:
2012 My Friend Nietzsche
2012 Sons da Esperança
2013 Graffiti Dança
2013 In the light of day
2013 O Concurso
2014 Elite Cup
2014 Isolados
2015 I Would Like to Be Enraptured, Muzzled, and on my back Tattooed
2015 Qualquer Gato Vira-Lata 2
2016 Ballad of Return
2016 Way of Giants
2018 Crô em Família
2018 Unconfessions
2019 Sun Inside
2019 The Dead and the Others
2019 The Yellow Night
2020 Skull: The Mask
2021 The Boy Who Killed My Parents
2021 The Girl Who Killed Her Parents
2022 A Jaula
2022 Christmas Full of Grace
2022 Someone Borrowed
2022 The Rightful
2022 What I've Never Lost
2023 An Unforgettable Year – Autumn
2023 Canção ao Longe
2023 Lost Sofia
2023 No Ritmo da Fé
2023 Rich in Love 2
2023 Salve, Guys!
2024 Sala Escura
2024 Stories of Samba
2024 The Presence of the World in Me
2024 Traces of Love
Supervising Sound Editor:
2012 My Friend Nietzsche
2012 Sons da Esperança
2013 Graffiti Dança
2013 In the light of day
2013 O Concurso
2014 Elite Cup
2014 Isolados
2015 I Would Like to Be Enraptured, Muzzled, and on my back Tattooed
2015 Qualquer Gato Vira-Lata 2
2016 Ballad of Return
2016 Way of Giants
2017 Gloria and Grace
2018 Crô em Família
2018 Unconfessions
2019 Sun Inside
2019 The Dead and the Others
2019 The Yellow Night
2020 Skull: The Mask
2021 The Boy Who Killed My Parents
2021 The Girl Who Killed Her Parents
2022 A Jaula
2022 Christmas Full of Grace
2022 Someone Borrowed
2022 The Rightful
2022 What I've Never Lost
2023 An Unforgettable Year – Autumn
2023 Canção ao Longe
2023 Lost Sofia
2023 No Ritmo da Fé
2023 Rich in Love 2
2023 Salve, Guys!
2024 Sala Escura
2024 Stories of Samba
2024 The Presence of the World in Me
2024 Traces of Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.