A work in constant progress (and occasional regress).
Release Date:
April 18, 2014
Original Title:
Copa de Elite
Genres:
Comedy
Production Companies:
Glaz Entretenimento
Production Countries:
Brazil
Ratings / Certifications:
BR: 14
Runtime: 109
Police officer Jorge Capitão is a competent BOP captain and a Brazilian idol. But after he saved Argentina's greatest ace from a kidnapping, on the eve of the World Cup, he ended up becoming the nation's number 1 public enemy. Expelled from the corporation and discredited by the people, Captain must relearn how to work as a team to avoid an attempt on the Pope in the final of the tournament. That's when the sex shop manager Bia Alpinistinha, a medium and her very crazy mother, enters the scene.
Assistant Editor:
Samy Waitzberg
Associate Producer:
Paulo Cursino
Compositing Supervisor:
Omar Colocci
Costume Assistant:
Fabíola Trinca
Digital Compositor:
Gabriel Valente
Rafael Haddad
Marco Buscema
Berenice Diman
Danilo Delfino
Cristian Slavik
Jefferson Ietto Novo
Liciani Vargas
Director:
Vitor Brandt
Director of Photography:
Pablo Baião
Editor:
Inti Grespan
Executive Producer:
Clélia Bessa
Diogo Dahl
First Assistant Camera:
Gabriel Hoffmann
First Assistant Director:
Tatiana Fragoso
Music:
André Moraes
Music Editor:
Adriano Nascimento
Post Production Coordinator:
Nilma Gomes
Post Production Technical Engineer:
Ariel Wollinger
Producer:
Paulo Boccato
Mayra Lucas
Production Design:
Rafael Targat
Production Manager:
Cacala Carvana
Fernanda Mandriola
Second Assistant Camera:
Julio Finizola
Sound Re-Recording Mixer:
Ariel Henrique
Stunt Coordinator:
Fillipe Dias
Supervising Sound Editor:
Daniel Turini
Fernando Henna
Third Assistant Director:
Rafael Ganime
Carolina Murad
Visual Effects:
Ricardo Ferro
Visual Effects Coordinator:
Marcelo Souza
Writer:
Vitor Brandt
Pedro Aguilera
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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