A work in constant progress (and occasional regress).
Assistant Camera:
2008 Depois das Nove
2009 From Beginning to End
Assistant Director of Photography:
2008 Depois das Nove
2009 From Beginning to End
2022 Worth Your Weight in Gold
Camera Technician:
2008 Depois das Nove
2009 From Beginning to End
2011 Elvis & Madonna
2022 Worth Your Weight in Gold
Director:
2008 Depois das Nove
2009 From Beginning to End
2010 Andres Doesn't Want to Take a Nap
2011 Elvis & Madonna
2022 Worth Your Weight in Gold
Director of Photography:
2008 Depois das Nove
2009 Bom Dia, Meu Nome é Sheila ou Como Trabalhar em Telemarketing e Ganhar um Vale-Coxinha
2009 From Beginning to End
2010 Andres Doesn't Want to Take a Nap
2011 Com Vista Para o Céu
2011 Elvis & Madonna
2015 I Would Like to Be Enraptured, Muzzled, and on my back Tattooed
2022 Worth Your Weight in Gold
Focus Puller:
2008 Depois das Nove
2009 Bom Dia, Meu Nome é Sheila ou Como Trabalhar em Telemarketing e Ganhar um Vale-Coxinha
2009 From Beginning to End
2010 Andres Doesn't Want to Take a Nap
2011 Com Vista Para o Céu
2011 Elvis & Madonna
2015 I Would Like to Be Enraptured, Muzzled, and on my back Tattooed
2015 Operações Especiais
2022 Worth Your Weight in Gold
Producer:
2008 Depois das Nove
2009 Bom Dia, Meu Nome é Sheila ou Como Trabalhar em Telemarketing e Ganhar um Vale-Coxinha
2009 From Beginning to End
2010 Andres Doesn't Want to Take a Nap
2011 Com Vista Para o Céu
2011 Elvis & Madonna
2015 I Would Like to Be Enraptured, Muzzled, and on my back Tattooed
2015 Operações Especiais
2022 Worth Your Weight in Gold
Writer:
2008 Depois das Nove
2009 Bom Dia, Meu Nome é Sheila ou Como Trabalhar em Telemarketing e Ganhar um Vale-Coxinha
2009 From Beginning to End
2010 Andres Doesn't Want to Take a Nap
2011 Com Vista Para o Céu
2011 Elvis & Madonna
2015 I Would Like to Be Enraptured, Muzzled, and on my back Tattooed
2015 Operações Especiais
2022 Worth Your Weight in Gold
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.