A work in constant progress (and occasional regress).
Release Date:
October 7, 2015
Original Title:
Operações Especiais
Alternate Titles:
B.O. - Boletim de Ocorrência
Genres:
Action | Crime | Thriller
Production Companies:
Filmland Internacional
Formiga Filmes
Globo Filmes
ProAC
Querosene Filmes
Secretaria Municipal de Cultura de São Paulo
Spcine
TC Filmes
Universal Pictures do Brasil
Production Countries:
Brazil
Ratings / Certifications:
BR: 14
Runtime: 99
In a crime-plagued area of Rio de Janeiro, a team of honest cops, including a determined rookie, fights corruption and mistrust on all sides.
3D Artist:
Fabio Calciolari
Additional Music:
Felipe Kim
Additional Second Assistant Director:
Raquel Toledo
Art Department Coordinator:
René Padilha
Art Direction:
Claudio Amaral Peixoto
Assistant Art Director:
Sofia Cavalieri
Castor de Assunção
Caio Brettas
Assistant Production Manager:
Duda Cartolano
Assistant Set Decoration:
Tiago Marinho
Alex Moura
Assistant Unit Manager:
Chaiana Furtado
Associate Producer:
Carlos Diegues
Best Boy Electric:
Denis Peres
Boom Operator:
Altyr Pereira
Daniel Brookng
Camera Operator:
Martina Rupp
Carpenter:
Celso Luiz
Casting Producer:
Ciça Castello
André Reis
Cinematography:
Bárbara Álvarez
Co-Producer:
Tomás Portella
L.G. Tubaldini Jr.
Martina Rupp
João Queiroz Filho
Colorist:
Rogério Moraes
Compositing Supervisor:
José Marcelo
Continuity:
Carmem Levy
Costume Design:
Ana Avelar
Dialogue Editor:
Tomas Alem
Digital Compositor:
Lucas Sousa
Director:
Tomás Portella
Editor:
Marcelo Moraes
Extras Casting:
Lenice Coelho
Extras Casting Assistant:
Monique Laboissiere
First Assistant Director:
Janaina Ferreira
Focus Puller:
Daniel Bustamante
Tiago Rivaldo
Foley Artist:
Felipe Burger Marques
Foley Editor:
Gabriel Schulz
Foley Recordist:
Renato Galimberti
Foley Supervisor:
Chrístian Vaisz
Gaffer:
Joel 'Junior' de Queiroz
Graphic Designer:
Carla Mendes
Grip:
Alexandre Barnete
Sidnei Nascimento
Hairstylist:
Ana Carla
Key Grip:
Weber José 'Cabelo' da Silva Cunha
Lighting Technician:
Paulinho Lino
Euclides Balbino
Location Manager:
Cindy Duarte
Flavia Santos
Makeup Artist:
Juliana Mendes
Music Coordinator:
Marilia Franco
Music Director:
Antonio Pinto
Music Editor:
Dudu Aram
Musician:
Dudu Aram
Ricardo Herz
Gabriel Ferreira
Antonio Pinto
Original Music Composer:
Dudu Aram
Antonio Pinto
Post Production Assistant:
Bruno Keusen
Gabriela Ruffino
Thiago Silva
Post Production Coordinator:
Thiago Silva
Post Production Supervisor:
Juca Diaz
Producer:
Pablo Torrecillas
Rodrigo Castellar
Producer's Assistant:
Lucas de Andrade
Production Manager:
Clara Machado
Production Supervisor:
Renato Pimentel
Mara Junqueira
Production Trainee:
Nara Marinho
Script Supervisor:
Carmem Levy
Second Assistant Camera:
Bruna Moraes
Bia Mauro
Second Assistant Director:
André Chaves
Lucas Villamarim
Set Costumer:
Gabriela Campos
Set Dresser:
Joana Heliodoro
Karen Araújo
Rui da Silva Junior
Set Supervisor:
Edu Pacheco
Sound:
Paulo Ricardo Nunes
Sound Assistant:
Dani Barcellos
Sound Editor:
Frederico Santiago
Sound Effects Editor:
Tomas Alem
Bernardo Uzeda
Sound Re-Recording Mixer:
Ricardo Cutz
Special Effects Coordinator:
Sergio Farjalla Jr.
Special Effects Supervisor:
Sergio Farjalla Jr.
Steadycam:
Eti Penna
Still Photographer:
Dan Behr
Ilya Akiyoshi
Gui Maia
Story Editor:
Pete Daly
Stunt Coordinator:
Fillipe Dias
Stunts:
Julio Freire
Roberta Uchôa
Vance Poubel
Supervising Sound Editor:
Ricardo Cutz
Third Assistant Director:
Gabriel Mayer
Unit Manager:
Brenda da Mata
Video Assist Operator:
André Bala
Visual Effects:
Gustavo Schiapim
Vander de Sousa
Isabela Ferrari
Renata Marinello
Visual Effects Supervisor:
Guilherme Ramalho
Wardrobe Assistant:
Yanna Bello
Ananda Frazao
Wardrobe Master:
Maria Vilhena
Weapons Master:
Marcio Bittencourt Farjalla
Sergio Farjalla Jr.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.