A work in constant progress (and occasional regress).
Alias:
Michele Boehm
Michele Böehm
Assistant Editor:
1959 The Devil's Pass
1962 Le Doulos
1963 Any Number Can Win
Editor:
1959 The Devil's Pass
1962 Le Doulos
1963 Any Number Can Win
1966 Le Deuxième Souffle
1966 Trap for the Assassin
1976 Black and White in Color
1978 The Last Romantic Lover
1979 Private Collections
1984 Gwendoline
1989 Stormy Summer
Sound Editor:
1959 The Devil's Pass
1962 Le Doulos
1963 Any Number Can Win
1966 Le Deuxième Souffle
1966 Trap for the Assassin
1969 Z
1972 And Hope to Die
1972 Killer
1975 Flesh of the Orchid
1976 Black and White in Color
1976 The Body of My Enemy
1976 The Tenant
1978 The Last Romantic Lover
1979 Private Collections
1982 The Return of Martin Guerre
1984 Gwendoline
1989 Stormy Summer
Sound Effects Editor:
1959 The Devil's Pass
1962 Le Doulos
1963 Any Number Can Win
1966 Le Deuxième Souffle
1966 Trap for the Assassin
1969 Z
1972 And Hope to Die
1972 Killer
1975 Flesh of the Orchid
1976 Black and White in Color
1976 The Body of My Enemy
1976 The Tenant
1978 The Last Romantic Lover
1979 Private Collections
1982 Missing
1982 The Return of Martin Guerre
1984 Gwendoline
1989 Stormy Summer
1997 Mad City
Sound Mixer:
1959 The Devil's Pass
1962 Le Doulos
1963 Any Number Can Win
1966 Le Deuxième Souffle
1966 Trap for the Assassin
1969 Z
1972 And Hope to Die
1972 Killer
1975 Flesh of the Orchid
1976 Black and White in Color
1976 The Body of My Enemy
1976 The Tenant
1978 The Last Romantic Lover
1979 Private Collections
1979 Womanlight
1982 Missing
1982 The Return of Martin Guerre
1984 Gwendoline
1989 Stormy Summer
1997 Mad City
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.