A work in constant progress (and occasional regress).
Alias:
Domenico D'Alessandria
Assistant Director:
1968 Shotgun
1970 Seize the Time
1970 The Howl
1971 Human Cobras
1971 I Am... Woman
1971 Naked Cities
1971 The Case of the Scorpion's Tail
Director:
1967 Carmelo Bene, il canto d'amore di Alfred J. Prufrock
1968 Shotgun
1970 Seize the Time
1970 The Howl
1971 Human Cobras
1971 I Am... Woman
1971 Naked Cities
1971 The Case of the Scorpion's Tail
1980 Barbagie oltre il mare
1980 Passaggi
1988 The Emperor Of Rome
1994 L'amico immaginario
2000 Regina Coeli
Editor:
1967 Carmelo Bene, il canto d'amore di Alfred J. Prufrock
1968 Shotgun
1970 Seize the Time
1970 The Howl
1971 Human Cobras
1971 I Am... Woman
1971 Naked Cities
1971 The Case of the Scorpion's Tail
1980 Barbagie oltre il mare
1980 Passaggi
1988 The Emperor Of Rome
1994 L'amico immaginario
2000 Regina Coeli
Producer:
1967 Carmelo Bene, il canto d'amore di Alfred J. Prufrock
1968 Shotgun
1970 Seize the Time
1970 The Howl
1971 Human Cobras
1971 I Am... Woman
1971 Naked Cities
1971 The Case of the Scorpion's Tail
1980 Barbagie oltre il mare
1980 Passaggi
1988 The Emperor Of Rome
1994 L'amico immaginario
2000 Regina Coeli
Screenplay:
1967 Carmelo Bene, il canto d'amore di Alfred J. Prufrock
1968 Shotgun
1970 Seize the Time
1970 The Howl
1971 Human Cobras
1971 I Am... Woman
1971 Naked Cities
1971 The Case of the Scorpion's Tail
1980 Barbagie oltre il mare
1980 Passaggi
1988 The Emperor Of Rome
1994 L'amico immaginario
2000 Regina Coeli
Screenstory:
1967 Carmelo Bene, il canto d'amore di Alfred J. Prufrock
1968 Shotgun
1970 Seize the Time
1970 The Howl
1971 Human Cobras
1971 I Am... Woman
1971 Naked Cities
1971 The Case of the Scorpion's Tail
1980 Barbagie oltre il mare
1980 Passaggi
1988 The Emperor Of Rome
1994 L'amico immaginario
2000 Regina Coeli
Script:
1967 Carmelo Bene, il canto d'amore di Alfred J. Prufrock
1968 Shotgun
1970 Seize the Time
1970 The Howl
1971 Human Cobras
1971 I Am... Woman
1971 Naked Cities
1971 The Case of the Scorpion's Tail
1980 Barbagie oltre il mare
1980 Passaggi
1988 The Emperor Of Rome
1994 L'amico immaginario
2000 Regina Coeli
Second Assistant Director:
1967 Carmelo Bene, il canto d'amore di Alfred J. Prufrock
1968 Shotgun
1968 To Hell and Back
1970 Seize the Time
1970 The Howl
1971 Human Cobras
1971 I Am... Woman
1971 Naked Cities
1971 The Case of the Scorpion's Tail
1980 Barbagie oltre il mare
1980 Passaggi
1988 The Emperor Of Rome
1994 L'amico immaginario
2000 Regina Coeli
Sound:
1967 Carmelo Bene, il canto d'amore di Alfred J. Prufrock
1968 Shotgun
1968 To Hell and Back
1970 Seize the Time
1970 The Howl
1971 Human Cobras
1971 I Am... Woman
1971 Naked Cities
1971 The Case of the Scorpion's Tail
1977 Coatti
1980 Barbagie oltre il mare
1980 Passaggi
1988 The Emperor Of Rome
1994 L'amico immaginario
2000 Regina Coeli
Treatment:
1967 Carmelo Bene, il canto d'amore di Alfred J. Prufrock
1968 Shotgun
1968 To Hell and Back
1970 Seize the Time
1970 The Howl
1971 Human Cobras
1971 I Am... Woman
1971 Naked Cities
1971 The Case of the Scorpion's Tail
1977 Coatti
1980 Barbagie oltre il mare
1980 Passaggi
1988 The Emperor Of Rome
1994 L'amico immaginario
2000 Regina Coeli
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.