A work in constant progress (and occasional regress).
Release Date:
March 1, 1968
Original Title:
La vendetta è il mio perdono
Alternate Titles:
Shot Gun
Shotgun
Vengeance Is My Forgiveness
Genres:
Western
Production Companies:
G.I.A. Cinematografica
Production Countries:
Italy
Ratings / Certifications:
DE: 18
Runtime: 93
In a small western town our hero Durango delivers his prisoner to the jailhouse and then goes to the local saloon where the lady saloon owner Joanne has eyes only for him. But Durango only has eyes for his bride-to-be Lucy. Four masked men attack Lucy's father's farm and steal Lucy's dowry. They kill Lucy and her parents after the father strips the face mask from one of the bandits. A pocket watch is stripped from one of the bandits by Lucy's father and this is the only clue that Durango will have to revenge his love... With Joanne's help can Durango avenge himself?
Assistant Camera:
Giovanni Canfarelli Modica
Sergio Rubini
Assistant Director:
Renato Moretti
Nico D'Alessandria
Assistant Editor:
Adriano Tagliavia
Camera Operator:
Antonio Modica
Mario Sbrenna
Roberto Brega
Conductor:
Roberto Pregadio
Costume Design:
Luigia De Laurentis
Director:
Roberto Mauri
Director of Photography:
Franco Delli Colli
Mario Mancini
Editor:
Nella Nannuzzi
Master at Arms:
Franco Pasquetto
Music:
Giancarlo Rizzi
Producer:
Aurelio Serafinelli
Production Secretary:
Eraclite Corbi
Production Supervisor:
Nicola Princigalli
Script Supervisor:
Sergio Barbonese
Set Decoration:
Amedeo Mellone
Sound:
Roberto Alberghini
Special Effects:
Nino Battistelli
Story:
Roberto Mauri
Writer:
Tito Carpi
Francesco Degli Espinosa
Luciana Ribet
Roberto Natale
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.