Home

Rosalind Nashashibi

Biography from TheMovieDB

British Palestinian artist Rosalind Nashashibi is a painter and filmmaker. She is preoccupied with looking, in a way that almost crosses over into the subject's camp, passing onto the side of the observed in a way that can be disconcerting. Her films chronicle intimate moments of contemporary life across diverse circumstances with a deeply empathetic and personal approach. Nashashibi's work is marked with precise references to other filmmakers and painters- such as Hockney and Degas and the filmmakers Pasolini and Chantal Akerman. Her films are often non-linear, punctuated by manifestations of power dynamics and collective histories. Subjects have included non-nuclear family structures, the multiple personae of the artist and chronicling Palestinian life. In her painting, sentimental or overbearing motifs such as a pair of swans or a X, intrigue us into looking at them anew, and her references to historical paintings are dives into the past to bring back new experiences. - GrimmGallery

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Director:
2000  The States of Things
2001  Open Day
2002  Dahiet Al Bareed, District of the Post Office
2002  Midwest
2003  Blood and Fire
2003  Humaniora
2004  Hreash House
2004  Juniper Set
2004  Park Ambassador
2004  Stone and Tablet
2004  University Library
2005  Eyeballing
2007  Bachelor Machines Part 1
2008  Pygmalion Event
2010  This Quality
2011  Carlo's Vision
2015  Electrical Gaza
2017  Vivian's Garden
2017  Why Are You Angry?
2019  Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine
2019  Part Two: The moon is nearly at the full. A team horse goes astray
2020  Lamb
2022  Denim Sky
2024  The Invisible Worm

Stand In:
2000  The House of Mirth
2000  The States of Things
2001  Open Day
2002  Dahiet Al Bareed, District of the Post Office
2002  Midwest
2003  Blood and Fire
2003  Humaniora
2004  Hreash House
2004  Juniper Set
2004  Park Ambassador
2004  Stone and Tablet
2004  University Library
2005  Eyeballing
2007  Bachelor Machines Part 1
2008  Pygmalion Event
2010  This Quality
2011  Carlo's Vision
2015  Electrical Gaza
2017  Vivian's Garden
2017  Why Are You Angry?
2019  Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine
2019  Part Two: The moon is nearly at the full. A team horse goes astray
2020  Lamb
2022  Denim Sky
2024  The Invisible Worm

Thanks:
2000  The House of Mirth
2000  The States of Things
2001  Open Day
2002  Dahiet Al Bareed, District of the Post Office
2002  Midwest
2003  Blood and Fire
2003  Humaniora
2004  Hreash House
2004  Juniper Set
2004  Park Ambassador
2004  Stone and Tablet
2004  University Library
2005  Eyeballing
2007  Bachelor Machines Part 1
2008  Pygmalion Event
2009  Sweetgrass
2010  This Quality
2011  Carlo's Vision
2015  Electrical Gaza
2017  Vivian's Garden
2017  Why Are You Angry?
2019  Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine
2019  Part Two: The moon is nearly at the full. A team horse goes astray
2020  Lamb
2022  Denim Sky
2024  The Invisible Worm

Writer:
2000  The House of Mirth
2000  The States of Things
2001  Open Day
2002  Dahiet Al Bareed, District of the Post Office
2002  Midwest
2003  Blood and Fire
2003  Humaniora
2004  Hreash House
2004  Juniper Set
2004  Park Ambassador
2004  Stone and Tablet
2004  University Library
2005  Eyeballing
2007  Bachelor Machines Part 1
2008  Pygmalion Event
2009  Sweetgrass
2010  This Quality
2011  Carlo's Vision
2015  Electrical Gaza
2017  Vivian's Garden
2017  Why Are You Angry?
2019  Part One: Where There Is a Joyous Mood, There a Comrade Will Appear to Share a Glass of Wine
2019  Part Two: The moon is nearly at the full. A team horse goes astray
2020  Lamb
2022  Denim Sky
2024  The Invisible Worm

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.