A work in constant progress (and occasional regress).
Release Date:
January 1, 2003
Original Title:
Humaniora
Ratings / Certifications:
N/A
Runtime: 12
'Humaniora is about that least popular kind of enforced rest: treatment and convalescence. It's a vision of hospitals, not as sites of trauma, but as a kind of pregnant pause in the headlong rush. Sunlight reflects off a tower, a pigeon roosts on a rooftop, and that precise moment of transition from night to day is captured when an illuminated sign suddenly switches off. Airy, Victorian glasshouses contrast with shadowy concrete alleyways as Nashashibi portrays different attitudes to sickness in different eras.' Rosalind Nashashibi's films span many boundaries, from Nazareth in Israel to the America Mid West. She has said of her work: 'The films observe what I suppose people would call 'real life', but I think they're about vacation away from life, about inactivity or rest, whether it be chosen or forced. I go into public areas with my camera and really observe how people are moving in their spaces, how they are using their neighbourhood.' - Moira Jeffrey in the Herald:
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.