A work in constant progress (and occasional regress).
Alias:
Joern Grosshans
Jörn Großhans is a visual effects supervisor at TRIXTER. Großhans began his journey into the world of visual effects after studying audiovisual media in Stuttgart, Germany, at the Hochschule der Medien, earning his qualification over a period from September 2002 to October 2007. He entered the VFX industry in 2004, initially working as a generalist before moving into compositing and eventually rising to the role of visual effects supervisor. His early professional experience included positions at Pixomondo, the studio behind notable film and TV effects, where he started building his reputation in high-profile projects. From around April 2008 to May 2013, Großhans served as a VFX supervisor at Mackevision Medien Design GmbH. During that time, his work earned significant recognition. Notably, he played a key role in Mackevision's visual effects contributions to Game of Thrones (2011), helping secure the Primetime Emmy Award for Outstanding Special and Visual Effects in 2014, particularly for the episode "The Children," which he supervised along with VFX Producer Katharina Kessler and a team of over 40 artists. His involvement in the third season also brought recognition—Mackevision's work on episode "Valar Dohaeris" contributed to that year's honours. Following his tenure at Mackevision, from mid-2013 to late 2017, Großhans worked as a VFX supervisor at LAVAlabs Moving Images GmbH. In early 2018, he joined Image Engine for a brief period before transferring to Trixter Film GmbH, where he has been serving as a visual effects supervisor since approximately June 2021. Image Engine, known for its work on major feature films, credited him with Emmy- and VES Award-winning contributions and described him in May 2018 as having 14 years of experience in the industry. Beyond his television achievements, Großhans has contributed to major cinematic productions. His credits include The Losers (2010) and Star Trek Into Darkness (2013). On Star Trek Into Darkness, he held the title of division visual effects supervisor for Pixomondo, one of the many contributing VFX companies on the film.
Digital Compositor:
2009 Rampage
Director:
2006 Video 3000
2009 Rampage
VFX Supervisor:
2006 Video 3000
2009 Rampage
2012 The Fourth State
Visual Effects Supervisor:
2006 Video 3000
2009 Rampage
2011 Löwenzahn - Das Kinoabenteuer
2012 Red Tails
2012 The Fourth State
2015 13 Minutes
2016 Dolores
2016 I.T.
2018 The Captain
2019 Spider-Man: Far From Home
2020 Cognition
2023 The Family Plan
Writer:
2006 Video 3000
2009 Rampage
2011 Löwenzahn - Das Kinoabenteuer
2012 Red Tails
2012 The Fourth State
2015 13 Minutes
2016 Dolores
2016 I.T.
2018 The Captain
2019 Spider-Man: Far From Home
2020 Cognition
2023 The Family Plan
Visual Effects Supervisor:
2021 Loki
2022 She-Hulk: Attorney at Law
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.