A work in constant progress (and occasional regress).
Release Date:
February 2, 2018
Original Title:
Der Hauptmann
Alternate Titles:
Der Hauptmann
Kapteeni
The Captain
The Captain - l'usurpateur
Genres:
Drama | History | War
Production Companies:
Alfama Films
Facing East
Filmgalerie 451
Maria Films
Opus Film
Worst Case Entertainment
hands-on producers
Production Countries:
France | Germany | Poland
Ratings / Certifications:
AT: 16 BE: 16 BR: 16 DE: 16 ES: 16 FR: 12 GB: 15 GR: Κ-15 IE: 15 JP: G LT: N-16 NL: 16 NO: 15 PT: M/16 RU: 16+ US: R
Runtime: 118
Germany, 1945. Soldier Willi Herold, a deserter of the German army, stumbles into a uniform of Nazi captain abandoned during the last and desperate weeks of the Third Reich. Newly emboldened by the allure of a suit that he has stolen only to stay warm, Willi discovers that many Germans will follow the leader, whoever he is.
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ADR Recordist:
Daniel Weis
Moritz Unger
Jonathan Ritzel
Additional Gaffer:
Helmut Prein
Administration:
Dorota Bednarska
Art Department Coordinator:
Wojciech Czapla
Art Department Trainee:
Julian Knaack
Art Direction:
Jurek Kuttner
Assistant Art Director:
Julien Weizenhöfer
Assistant Costume Designer:
Agata Drozdowska
Ewa Paldyna
Beata Dabska
Robert Adamczyk
Assistant Director:
Arianna Singhania
Assistant Editor:
Krzysztof Korybut-Daszkiewicz
Assistant Set Decoration:
Friederike Gast
Associate Producer:
Julia M. Müller
Boom Operator:
Rafael Ridao
Frank Gorgas
CG Supervisor:
Christian Zilliken
Bernd Nalbach
Camera Operator:
Florian Emmerich
Casting:
Anja Dihrberg
Co-Producer:
Piotr Dzięcioł
Paulo Branco
Marcel Greive
Ewa Puszczyńska
Compositing Artist:
Julian Körrenz
Florian Franke
Lukas Fabian
Peter Lames
Timo Hanczuk
Compositing Supervisor:
Stephan Schaefholz
Concept Artist:
Sasa Živković
Construction Foreman:
Maciej Janiszewski
Michal Pietrzak
Continuity:
Candy Maldonado Agustin
Dialogue Editor:
Sabrina Naumann
Digital Imaging Technician:
Daniel Mock
Director:
Robert Schwentke
Director of Photography:
Florian Ballhaus
Editor:
Michał Czarnecki
Electrician:
Robert Bartz
Executive Producer:
Daniel Hetzer
Philip Lee
Kay Niessen
Markus Barmettler
Extras Casting:
Mariusz Chandoha
First Assistant Camera:
Tobias Kownatzki
Rafael Jeneral
First Assistant Director:
Christian Hoyer
Foley Artist:
Martin Langenbach
Foley Editor:
Laura Plock
Gaffer:
Janosch Voss
Graphic Designer:
Catarina Sampaio
Key Costumer:
Magdalena Rutkiewicz
Key Grip:
Christian Scheibe
Key Makeup Artist:
Doreen Kindler
Line Producer:
Heino Herrenbrück
Jakob Neuhäusser
Felix Eisele
Location Manager:
Ronny Engel
Makeup Artist:
Anna Freund
Elise Tillmann
Sarah Neumeier
Marcus Michael
Hanna Riehm
Franziska Maaß
Veronika Knigge
Gloria Göschel
Judith Kröher
Grit Hildenbrand
Music Supervisor:
Martin Todsharow
Original Music Composer:
Martin Todsharow
Producer:
Frieder Schlaich
Irene von Alberti
Paulo Branco
Production Assistant:
Julia M. Müller
Production Coordinator:
Aleksandra Skraba
Caroline Dietze
Magdalena Malisz
Lucja Kedzior
Sylwia Szczechowicz-Warszewska
Production Design:
Harald Turzer
Production Manager:
Heino Herrenbrück
Property Master:
Ole Kloss
Rigging Gaffer:
Mathias Beier
Second Assistant Camera:
Kaja Styczynska
Second Assistant Director:
Simon Aschenbrenner
Set Decoration:
Alwara Thaler
Set Runner:
Anja Knobloch
Hagen Rohling
Sound:
Eric Devulder
Sound Designer:
André Bendocchi-Alves
Sound Effects Editor:
Jascha Viehl
Sound Mixer:
Detlef A. Schitto
Sound Re-Recording Mixer:
Martin Steyer
Special Effects Supervisor:
Michael Rudnik
Special Effects Technician:
Andreas Schiller
Steadicam Operator:
Florian Emmerich
Still Photographer:
Krzysztof Wiktor
Stunt Coordinator:
Wanja Götz
Tailor:
Janusz Kowalczyk
Visual Effects:
Emanuel Fuchs
Sebastian Plank
Visual Effects Editor:
Jörg Wohnsiedler
Visual Effects Producer:
Stefan Schorer
Stefan Brenner
Visual Effects Supervisor:
Jörn Großhans
Writer:
Robert Schwentke
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.