A work in constant progress (and occasional regress).
Alias:
John Mete
Jon I. Mete
Dialogue Editor:
2004 Exorcist: The Beginning
2008 Appaloosa
Sound Editor:
2002 Scenes of the Crime
2002 Tuck Everlasting
2003 The Brown Bunny
2004 Exorcist: The Beginning
2008 Appaloosa
2010 Promises Written in Water
2010 The Agent
Sound Effects Designer:
2002 Scenes of the Crime
2002 Tuck Everlasting
2003 Open Water
2003 The Brown Bunny
2004 Exorcist: The Beginning
2008 Appaloosa
2010 Promises Written in Water
2010 The Agent
Sound Effects Editor:
1999 Error in Judgment
2002 Equilibrium
2002 Scenes of the Crime
2002 Tuck Everlasting
2003 Open Water
2003 The Brown Bunny
2004 Exorcist: The Beginning
2007 300
2008 Appaloosa
2010 Promises Written in Water
2010 The Agent
Sound Re-Recording Mixer:
1999 Error in Judgment
2001 Rennie's Landing
2002 Equilibrium
2002 Scenes of the Crime
2002 Tuck Everlasting
2003 Open Water
2003 The Brown Bunny
2004 Exorcist: The Beginning
2007 300
2008 Appaloosa
2010 Promises Written in Water
2010 The Agent
Supervising Sound Editor:
1999 Error in Judgment
1999 Her Married Lover
2000 Luckytown
2001 Rennie's Landing
2002 Equilibrium
2002 Scenes of the Crime
2002 Tuck Everlasting
2003 Open Water
2003 The Brown Bunny
2004 Exorcist: The Beginning
2007 300
2008 Appaloosa
2010 Promises Written in Water
2010 The Agent
Sound Supervisor:
2013 Sleepy Hollow
Supervising Sound Editor:
2013 Sleepy Hollow
2013 Witches of East End
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.