A work in constant progress (and occasional regress).
Release Date:
October 11, 2002
Original Title:
Tuck Everlasting
Alternate Titles:
Ölümsüz Aile
Örök kaland
Το Πέρασμα στην Ωριμότητα
真爱无尽
Genres:
Drama | Family | Fantasy | Romance
Production Companies:
Walt Disney Pictures
Production Countries:
United States of America
Ratings / Certifications:
DE: 6 JP: R15+ NL: 9 PT: M/12 US: PG
Runtime: 90
Teenager Winnie Foster is growing up in a small rural town in 1914 with her loving but overprotective parents, but Winnie longs for a life of greater freedom and adventure.
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"B" Camera Operator:
Mark Van Loon
2D Supervisor:
Erik Liles
3D Modeller:
Yoshiya Yamada
ADR Editor:
Dean Beville
Harry B. Miller III
ADR Mixer:
Troy Porter
Doc Kane
Christina Tucker
Art Department Assistant:
Tiffany Zappulla
Art Direction:
Ray Kluga
Assistant Costume Designer:
Catharine Fletcher Incaprera
Lois DeArmond
Assistant Hairstylist:
Charmaine Henninger
Assistant Makeup Artist:
Gina W. Bateman
Assistant Property Master:
Lorraine Walker
Assistant Sound Editor:
Jamie Hardt
Boom Operator:
Jack M. Nietzsche Jr.
Camera Operator:
Martin J. Layton
Casting Director:
Mary Gail Artz
Barbara Cohen
Chief Lighting Technician:
Newton TerMeer
Color Timer:
Jeff Smithwick
Compositing Artist:
Brian Ali Harding
Construction Buyer:
David Beach
Construction Coordinator:
Michael Davis
Costume Design:
Carol Ramsey
Costume Supervisor:
Marisa Aboitiz
Christine Wada
Costumer:
Linda M. Boyland
Craft Service:
Thomas M. Cornelius
Dialogue Editor:
Cameron Steenhagen
Kira Roessler
Director:
Jay Russell
Director of Photography:
James L. Carter
Dolby Consultant:
Thom 'Coach' Ehle
Driver:
Gerald Titus
Editor:
Jay Cassidy
Executive Producer:
Armyan Bernstein
Thomas A. Bliss
William Teitler
Deborah Forte
Max Wong
Extras Casting:
Carlyn Davis
Molly Dedham
First Assistant Accountant:
Lori Scowley
First Assistant Director:
John Rusk
First Assistant Editor:
Dana Mulligan
Jonathan Chibnall
Foley Artist:
Edward Steidele
Foley Editor:
Dana Gustafson
Grip:
John C. Barber
Mark Hutchings
Brian Snell
Hair Department Head:
Janice Kinigopoulos
Key Costumer:
Jeannie Flynn
Mara Majorowicz
Key Grip:
Rodney French
Location Manager:
Kathi Ash
Makeup Department Head:
Thomas Nellen
Music Editor:
Lesley Langs
Negative Cutter:
Mary Beth Smith
Novel:
Natalie Babbitt
Original Music Composer:
William Ross
Producer:
Jane Startz
Marc Abraham
Production Accountant:
Frank J. Ellison
Production Coordinator:
Thomas 'Doc' Boguski
Production Design:
Tony Burrough
Production Sound Mixer:
Kirk Francis
Screenplay:
Jeffrey Lieber
James V. Hart
Script Supervisor:
Deirdre Horgan
Second Assistant Camera:
Mark Walpole
Second Assistant Director:
Alison C. Rosa
Second Unit Director of Photography:
Martin J. Layton
Set Decoration:
Catherine Davis
Sound Editor:
Jon Mete
Sound Re-Recording Mixer:
Samuel Lehmer
Special Effects Assistant:
Douglas Retzler
Special Effects Coordinator:
Mark Bero
Steadicam Operator:
Mark Van Loon
Still Photographer:
Ron Phillips
Stunt Coordinator:
G.A. Aguilar
Stunt Double:
Jennifer Badger
David Brian Martin
Rick LeFevour
Jeffrey Lee Gibson
Jay Spadaro
Bob Colletti
Stunts:
Peter Epstein
Blaise Corrigan
Supervising Sound Editor:
Charles Maynes
Stephen Hunter Flick
Unit Production Manager:
Dana Robin
Visual Effects Producer:
Cindy Jones
Visual Effects Supervisor:
Mat Beck
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.