A work in constant progress (and occasional regress).
Birthplace:
Birmingham, England, UK
Born:
August 18, 1900
Died:
November 30, 1948
Edward Black (18 August 1900, Birmingham - 30 November 1948, London) was an English film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas. He also produced such classic films as The Lady Vanishes (1938). Black has been called "one of the unsung heroes of the British film industry." Black was the third son of George Black, a property master at the Theatre Royal, Birmingham, who became a cinema owner. George Black died in 1910 and his sons Ted, George and Alfred built up the cinema to a circuit. In 1919 they sold this and set about building up another circuit. In 1928 they sold this too - to General Theatre Corporation (GTC). Gaumont British took over GTC and Black went to work for them. In 1928 he became a studio manager for Gainsborough Pictures. In 1930 he moved into production, and became an assistant production manager at Shepherd’s Bush and then studio manager at Islington. In 1935 he was associate producer on Tudor Rose (1936). He took over running of the Islington Studios. In December 1936, Michael Balcon left Gaumont-British for MGM. In March 1937 Shepherd’s Bush studios and Gaumont-British Distributors were closed. However Gainsborough continued as a production center thanks to a deal with C.M. Woolf and J. Arthur Rank’s General Film Distributors. Black was in charge along with Maurice Ostrer. They made movies for Gainsborough and 20th Century Fox. Black specialized in making comedies, thrillers and low-budget musicals. He had a lot of success making comedy vehicles for stars such as Will Hay and Arthur Askey. He also produced early films from Carol Reed and Alfred Hitchcock and was an early supporter of writer directors Sidney Gilliat and Frank Laundner. In the words of one writer, Black "held the studio together during its most difficult period, backed Laundner and Gilliat in establishing a strong script department, retained the services of some of the best cameramen in the business, and put under contract a number of promising actors." In the 1940s Black helped produce the first Gainsborough melodramas an enormously successful series of movies which made stars of James Mason, Stewart Granger and Phyllis Calvert, and increased the popularity of Margaret Lockwood. Black's relationship with Maurice Ostrer was not always easy and he also clashed with the Rank Organisation when they took over Gainsborough. In 1944 Black left Gainsborough to join Alexander Korda. Black died of lung cancer in November 1948, shortly after the premiere of his last film, the disastrous Bonnie Prince Charlie (1948).
Producer:
1937 Young and Innocent
1938 Bank Holiday
1938 Convict 99
1938 Crackerjack
1938 Hey! Hey! USA
1938 The Lady Vanishes
1939 A Girl Must Live
1939 Inspector Hornleigh on Holiday
1940 Charley's (Big-Hearted) Aunt
1940 For Freedom
1940 Girl in the News
1940 Neutral Port
1940 Night Train to Munich
1940 They Came by Night
1941 Cottage to Let
1941 Inspector Hornleigh Goes to It
1941 Kipps
1941 Letter from Home
1941 The Ghost Train
1942 Back-Room Boy
1942 Partners in Crime
1942 The Young Mr. Pitt
1942 Uncensored
1943 Dear Octopus
1943 Millions Like Us
1943 Miss London Ltd.
1943 The Man in Grey
1943 We Dive at Dawn
1944 Bees in Paradise
1944 Fanny by Gaslight
1944 Give Us the Moon
1944 Time Flies
1944 Two Thousand Women
1945 Waterloo Road
1948 Bonnie Prince Charlie
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.