A work in constant progress (and occasional regress).
Release Date:
October 7, 1938
Original Title:
The Lady Vanishes
Alternate Titles:
Dama zniknela
Een vrouw verdwijnt
Een vrouw wist te veel
Een vrouw wist teveel
Femeia Disparuta
Gospa izginja
The Lost Lady
Zmiznutie starej dámy
Η κυρία εξαφανίζεται
失踪的女人
贵妇失踪案
Genres:
Comedy | Mystery | Thriller
Production Companies:
Gainsborough Pictures
Production Countries:
United Kingdom
Ratings / Certifications:
BR: 12 DK: 11 FR: U GB: U GR: 13 HU: 12 JP: G SE: 15 US: NR
Runtime: 96
On a train headed for England a group of travelers is delayed by an avalanche. Holed up in a hotel in a fictional European country, young Iris befriends elderly Miss Froy. When the train resumes, Iris suffers a bout of unconsciousness and wakes to find the old woman has disappeared. The other passengers ominously deny Miss Froy ever existed, so Iris begins to investigate with another traveler and, as the pair sleuth, romantic sparks fly.
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Assistant Art Director:
Maurice Carter
Albert Jullion
Assistant Director:
Roy Ward Baker
Camera Operator:
Leslie Gilliat
Continuity:
Alma Reville
Director:
Alfred Hitchcock
Director of Photography:
Jack E. Cox
Editor:
R. E. Dearing
Editorial Staff:
Alfred Roome
First Assistant Camera:
Len Harris
First Assistant Director:
Tom D. Connochie
Music Director:
Louis Levy
Novel:
Ethel Lina White
Orchestrator:
Cecil Milner
Original Music Composer:
Charles Williams
Louis Levy
Producer:
Edward Black
Recording Supervision:
Sydney Wiles
Scenic Artist:
Albert Whitlock
Screenplay:
Sidney Gilliat
Frank Launder
Set Designer:
Alex Vetchinsky
Sound Design Assistant:
Claude Hitchcock
Sound Recordist:
Sydney Wiles
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.