Paul J. Franklin

Paul J. Franklin is an English visual effects supervisor who has worked with visual effects since the 1990s. Franklin won the Academy Award for Best Visual Effects and the BAFTA Award for Best Special Visual Effects for Inception (2010) and won a second Academy Award for Best Visual Effects for Interstellar (2014). He shared the wins with Andrew Lockley, Peter Bebb, and Chris Corbould. Franklin has also been nominated for an Academy Award for The Dark Knight (2008). He was nominated for BAFTA Awards for Batman Begins, The Dark Knight (2008), and The Dark Knight Rises (2012).  Franklin was born in Cheshire, England. He was educated at Sandbach School in Cheshire from 1977 to 1984. He attended South Cheshire College (Crewe), part of the former Mid Cheshire College in Northwich, for a year and then gained a place at the Ruskin School of Art at Oxford University, where he was a member of St John's College, to study fine art. At Oxford he had his first experience of filmmaking, frequently collaborating with director Ben Hopkins, and began to experiment with the emerging new medium of computer animation. He graduated in 1989. He worked two jobs as a videotape editor and then began a career in computer graphics and animation at Psygnosis (now Studio Liverpool) in the early 1990s. After several years at the Moving Picture Company in London, he and a group of colleagues founded the visual effects company Double Negative in 1998 with financing from PolyGram Filmed Entertainment. He headed the 3D effects for Double Negative's first film, Pitch Black (2000).  Franklin was an undergraduate external examiner at Bournemouth University for 4 or 5 years and also gave visiting practitioner lectures at BU's Media School. In 2012, he received an honorary degree from Bournemouth.  Description above from the Wikipedia article Paul J. Franklin, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.