A work in constant progress (and occasional regress).
Release Date:
April 12, 2001
Original Title:
Revelation
Alternate Titles:
A Revelação
Genres:
Fantasy | Horror | Science Fiction
Production Companies:
Cyclops Vision
Miracle Communications Ltd.
Romulus Films
Production Countries:
United Kingdom
Ratings / Certifications:
DE: 16 GB: 15
Runtime: 111
Since A.D. 50, a mysterious sacred artifact known as the Loculus has been at the center of a bloody clandestine war. Missing for a few hundred years, the puzzling relic has suddenly reappeared in the present day, bringing with it a terrible secret that could spell doom for all of mankind. Now it's up to Magnus Martel to subvert a murderous secret society and uncover the truth behind the ancient treasure.
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3D Animator:
Dayne Cowan
ADR Voice Casting:
Louis Elman
Art Department Assistant:
Nicola De Fresnes
Art Department Trainee:
Martin Kelly
Daniel Vernon
Art Direction:
Tim Ellis
Assistant Accountant:
Isaac Sananes
Assistant Costume Designer:
Hester Peden
Assistant Location Manager:
Nick Williams
Assistant Production Coordinator:
Elian Strong
Boom Operator:
Justin Wilkinson
Camera Trainee:
Zillah Bowes
Casting:
Debbie McWilliams
Casting Coordinator:
Mavis Formosa
Clapper Loader:
Phil Humphries
Alix Mumford
John Preca Trapani
Anton Betoadier
Co-Producer:
Pat Harding
Concept Artist:
Yuri Tsykalo
Construction Manager:
Peter Thompson
Mark Caruana
Costume Assistant:
Rachel Turner
Costume Design:
John Krausa
Dialogue Editor:
Dan Morgan
Director:
Stuart Urban
Director of Photography:
Sam McCurdy
Draughtsman:
Charlotte Leatherland
Editor:
Julian Rodd
Electrician:
John Laurence
Vic Chandler
Matt Wilson
John Graves
Michael O'Connoll
Derrick Richie
Andy Bell
Edmund Alexander
John Collie
Saviour Zammit
Lennie O'Brien
John Gravidge
First Assistant Director:
Kieron Phipps
Focus Puller:
Jon Garwes
David Wyatt
Foley Artist:
Jason Swanscott
Peter Burgis
Jack Stew
Andie Derrick
Foley Editor:
Arthur Graley
Foley Recordist:
Colin Guthrie
Roger Danès
Gaffer:
John Walker
Generator Operator:
Barry Martin
Hair Designer:
Tara Smith
Key Grip:
Sergio Bernuzzi
Legal Services:
Richard Moxon
Denton Wilde Sapte
Line Producer:
Brian Donovan
Location Manager:
Gill Case
David Szymkowicz
Tim Porter
Makeup Artist:
Jutta Russell
Catherine Scoble
Phillipa Irving
Alison Rainey
Matte Painter:
Dimitri Delacovias
Jim Bowers
Music:
Edmund Butt
Negative Cutter:
Sylvia Wheeler
Producer:
Stuart Urban
Jonathan Woolf
Production Accountant:
Patrick Isherwood
Dennis Mahoney
Production Assistant:
Isabell Cassar
Laurence Chisholm
Production Coordinator:
Hermione Ninnim
Emily Bullock
Production Design:
James Merifield
Property Buyer:
Lawrence Cauchi
Property Master:
Simon Morrissey
Researcher:
Dana Urban
Script Supervisor:
Amanda Lean
Lorely Farley
Second Assistant Director:
Simon Emanuel
Oscar Beuselinck
Second Unit Director:
Tom Delmar
Second Unit Director of Photography:
Shane Daly
Set Decoration:
Jacqueline Abrahams
Sound Editor:
James Feltham
Sound Re-Recording Mixer:
Chris Burdon
Sound Recordist:
Emma Meaden
Tony Jackson
Special Effects Supervisor:
Paul McGuinness
Stand In:
Helena Drake
Rupert Regis
Standby Art Director:
Kellie Waugh
Standby Carpenter:
John Watt
Raymond Zerafa
Standby Painter:
Patrick Aguis
Pat Bailey
Steadicam Operator:
Dion M. Casey
Still Photographer:
Giles Keyte
Storyboard Artist:
Michael Harrison
Stunts:
George Cottle
Supervising Sound Editor:
Julian Slater
Nigel Heath
Third Assistant Director:
Matthew Hanson
Title Designer:
Simon Giles
Unit Publicist:
Sarah Clark
Visual Effects Editor:
Daryl Jordan
Visual Effects Producer:
Matthew Plummer
Visual Effects Supervisor:
Paul J. Franklin
Wardrobe Assistant:
Yvonne Zarb Cousin
Ruben Reed
Carmen Persiano
Wardrobe Master:
Steven Paige
Writer:
Stuart Urban
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.