A work in constant progress (and occasional regress).
Birthplace:
Kopčany, Czechoslovakia [now Slovak Republic]
Born:
September 21, 1931
Eduard Grečner (1931, Czechoslovakia) is a director and writer, known for his feature debut Every Week Seven Days (1964), Nylon Moon (1965) and Dragon’s Return (1968). From 1950-1954 he studied at FAMU in Prague. Subsequently, he started working as a playwright, screenwriter and director in the Studia Film Studio at Koliba in Bratislava. He was an assistant director to Štefan Uher on his seminal Slnko v sieti (1963), the first work of the Czechoslovak New Wave. Grečner also acted in several films and made many television films. In the late 1980s, he was the first to chair the Slovak Film Association. In the 1990s, he returned briefly to directing and made two films. In 2018, a monograph about him – written by the Czech film scientist Milan Cyroň – was published.
Director:
1964 Every Week Seven Days
1966 Nylon Moon
1968 Dragon's Return
1972 Mŕtve oči
1978 Príbelská vzbura Janka Kráľa
1993 Earthly Disturbance
1996 Jaškov sen
First Assistant Director:
1962 My z deviatej A
1963 The Sun in a Net
1964 Every Week Seven Days
1966 Nylon Moon
1968 Dragon's Return
1972 Mŕtve oči
1978 Príbelská vzbura Janka Kráľa
1993 Earthly Disturbance
1996 Jaškov sen
Screenplay:
1960 Strieborný Favorit
1962 My z deviatej A
1963 The Sun in a Net
1964 Every Week Seven Days
1964 Kolíska
1966 Nylon Moon
1968 Dragon's Return
1972 Mŕtve oči
1978 Príbelská vzbura Janka Kráľa
1993 Earthly Disturbance
1996 Jaškov sen
Story:
1960 Strieborný Favorit
1962 My z deviatej A
1963 The Sun in a Net
1964 Every Week Seven Days
1964 Kolíska
1966 Nylon Moon
1968 Dragon's Return
1972 Mŕtve oči
1978 Príbelská vzbura Janka Kráľa
1993 Earthly Disturbance
1996 Jaškov sen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.