A work in constant progress (and occasional regress).
Release Date:
August 28, 1964
Original Title:
Každý týždeň sedem dní
Genres:
Drama
Production Companies:
Štúdio hraných filmov Bratislava
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 93
The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.
Assistant Camera:
Vladimír Ondruš
Assistant Editor:
Mária Inczeová
Assistant Production Design:
Miloš Kalina
Camera Operator:
Benedikt Krivošík
Clapper Loader:
Mária Žajdlíková
Costume Design:
Mária Rudavská
Costumer:
Milena Doskočová
Júlia Morvicová
Director:
Eduard Grečner
Director of Photography:
Vincent Rosinec
Editor:
Bedřich Voděrka
First Assistant Director:
Jozef Novan
Anton Ivančo
Gaffer:
Milan Kovačič
Line Producer:
Ľubomír Holec
Makeup & Hair:
Emília Bobeková
Božena Doktorová
Original Music Composer:
Ilja Zeljenka
Production Assistant:
Vojtech Brázdovič
Production Design:
Anton Krajčovič
Production Manager:
Ján Tomaškovič
Property Master:
Jozef Suchý
Props:
Pavol Zvozil
Cyril Kafana
Screenplay:
Eduard Grečner
Script:
Klotilda Kováčová
Sculptor:
Andrej Rudavský
Sound:
Ondrej Polomský
Sound Assistant:
Tibor Michalčík
Milan Hurtig
Sound Effects:
Bohumír Brunclík
Story:
Ivan Stadtrucker
Unit Production Manager:
Július Novák
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.