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Theresa Jessouroun

Birthplace:
Rio de Janeiro, Rio de Janeiro, Brazil

Biography from TheMovieDB

Theresa Jessouroun is a Brazilian filmmaker and screenwriter. Born in Rio de Janeiro, she graduated in History at PUC-Rio in 1978. But the following year she started working in cinema, bol as a continuity artist, scene photographer and editing assistant.

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Additional information:

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Film Production

Director:
2001  Samba
2011  Coração do Samba
2014  À Queima Roupa
2019  O Corpo é Nosso!
2022  Direito de Sonhar
????  Dois Mundos
????  Fim do Silêncio

Editor:
1993  The Scavengers
1996  Mulheres no Front
2001  Samba
2011  Coração do Samba
2014  À Queima Roupa
2019  O Corpo é Nosso!
2022  Direito de Sonhar
????  Dois Mundos
????  Fim do Silêncio

Producer:
1992  A Lei e a Vida
1993  The Scavengers
1995  Seis Histórias
1996  Mulheres no Front
2001  Samba
2011  Coração do Samba
2014  À Queima Roupa
2019  O Corpo é Nosso!
2022  Direito de Sonhar
????  Dois Mundos
????  Fim do Silêncio

Screenplay:
1992  A Lei e a Vida
1993  The Scavengers
1995  Seis Histórias
1996  Mulheres no Front
2001  Samba
2011  Coração do Samba
2014  À Queima Roupa
2019  O Corpo é Nosso!
2022  Direito de Sonhar
????  Dois Mundos
????  Fim do Silêncio

Writer:
1992  A Lei e a Vida
1993  The Scavengers
1995  Seis Histórias
1996  Mulheres no Front
2001  Samba
2011  Coração do Samba
2014  À Queima Roupa
2019  O Corpo é Nosso!
2022  Direito de Sonhar
????  Dois Mundos
????  Fim do Silêncio

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.