A work in constant progress (and occasional regress).
Release Date:
July 1, 2019
Original Title:
O Corpo é Nosso!
Genres:
Documentary
Production Companies:
Kinofilmes Produções Artísticas
Production Countries:
Brazil
Ratings / Certifications:
BR: 14
Runtime: 85
It is a documentary about the trajectory of the liberation of the Brazilian woman's body and exposes the differences of this trajectory to white and black women. The film presents interviews, archive images that illustrate some of the factors that contributed to this liberation in Brazil - such as music, dance, fashion and the contraceptive pill - and proposes a discussion about feminism through the deconstruction of the masculine. The film incorporates fictional scenes where men do not realize their macho and racist behavior and full of class prejudices, rooted and accepted by society.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.